like the moon
It’s hard to keep up with dancehall’s now ting from farin, which is why I’m both grateful to and surprised by the way some London brethren keep up on things. Of course, London’s a very Jamaican place at this point, but so’s Boston, in certain corners, and I guess I just gotta get out more. […]
Read More →Not long ago, w/r/t global gobbledecrunk, I referred to an interview I gave recently to a Brazilian journalist. The journo in question is Camilo Rocha, who doubles as a DJ (& has a fab disco mix over @ Spannered). The piece was just published in Folha de Sao Paolo, apparently Brazil’s biggest newspaper. I don’t […]
Read More →A tale of several videos :: again about the wonderful work that music does, the vitality of digital (youth) culture, the persistence of realtime, peer2peer creativity and sociability, & the obvious shortcomings of corporate hackery u kno the first, no doubt — The maker of many a best of 2007 list, Dude Nem’s “Watch My […]
Read More →In that Empire, the Art of Cartography attained such Perfection that the map of a single Province occupied the entirety of a City, and the map of the Empire, the entirety of a Province. In time, those Unconscionable Maps no longer satisfied, and the Cartographers Guilds struck a Map of the Empire whose size was […]
Read More →definitely feeling DJ Nate‘s waltzy juke ballad, “May Be Sum Day” — dude nem’s music industry continues unabated
Read More →“Hipster hedonism takes many forms,” wrote Ned Polsky in reply to Norman Mailer’s hipster manifesto of 1957. “Some hipster groups,” Polsky continued, “have everything to do with motorcycles, whereas others have nothing to do with them.” Similarly, but more in the abstract, in his genealogy of the hipster, “Hip and the Long Front of Color” […]
Read More →Dang. I think Simon just referred to my blog as “hipster chatter.” Them’s fightin words, Reynolds. I mean, I’m sayin, I only own one belt and maybe 3 pairs of sneakers, tops. For serious tho, I’m very curious to know what constitutes hipsterism — for Simon and for others — at this moment in time. […]
Read More →Been enjoying the ASA conference in Philly for the last few days. Our panel on Thursday went pretty well, I think. We actually seemed to have some coherence across our papers and although we had a rather compromised a/v situation (holding a Shure 58 to laptop speakers don’t really cut it in a ballroom), I […]
Read More →If I thought something was poppin in the state of Denmark, I have no idea que pasa en Argentina. The ol’ blogosphere radar has been registering lots of blips from that southmost outpost in South America. I mentioned the Frikstailers a little while back, for instance. And of course, there’s the whole cumbia rebajada movimiento, […]
Read More →Something is poppin’ in the state of Denmark. Troels (of Firehouse Sound) recently hipped me(space) to Lady Smita, a Roxanne Shante song-embedding dancehall diva who makes punaany-power traxx with digital Danish producers like Maffi, uses Boba Fett for her profile pic, and starts her heroes list like so — Which made me think: the MIA […]
Read More →a selected webnography of technofied tetris nerdcore discourse — nikeswooshguy (7 months ago) The video is not sped up. The pieces are falling fast but it’s “Absolute Plus” on Death Mode. His reponses are quick, but not inhuman. merzoug88 (4 months ago) Looks like Jumpstyle BlahBohogun (2 months ago) wow i wish i could type […]
Read More →I tagged a “raï-ggaeton” video over at my linkythinky a while back. A bit o’ chutney-ton, too. Both seemed interesting to me as rather explicit examples of the localization of global pop (and rton in partic), if not terribly compelling as specific things &, yeah, rather steeped in the odor of novelty. That’s not the […]
Read More →This Friday night, here in Cambridge (on the banks of the Charles no less), techno legend Juan Atkins will make the music move the people c/o a new effort in town called 12 Inches of Pleasure. This is very exciting for those of us who like our four-on-the-floor as much as our funky-drummer. I’m quite […]
Read More →The Frikstailers first came to my attn via DJ Ripley and Stu FatPlanet, both of whom seemed to admire their “fidget groove” (thx, stu!). I too was instantly enamored with their glitched-up, tech-housey (blog-housey?), syncopated dance traxx. They helped me to imagine Argentina in a different way, hearing Córdoba as another outpost of the EDM […]
Read More →The NYT published a long profile on Rick Rubin yesterday. It’s a innaresting piece and Rubin’s a helluva producer, executive producer, A&R man, and new-age exec — but he’s not gonna save the music industry. DJ Nate (via s/fj), on the other hand, provides a good glimpse at the new non music industry. On his […]
Read More →Sorry for the silence here of late. It’s been crunchtime for fall semester, which I’m v excited about. What’s more, I thought I’d leave the “Diamonds from Sierra Leone” post up for a while in the hope of getting more feedback for me and Boima both. (Thanks to Lamin for sharing his thoughts & the […]
Read More →As I’ve mentioned before, I’ve gleaned lots of what I know ’bout the narratives swirling ’round reggaeton via the web, especially via the messageboard debates that flare up into all sorts of contested, conflicting accounts and claims. In that sense, I’ve maybe learned less about reggaeton’s history this way, per se, than about how people […]
Read More →In a recent issue of the SEM Newsletter (March 2007, to be precise), Phil Bohlman addressed the issue of cultural translation and how it presents a paradox to ethnomusicologists — or perhaps more broadly, to those of us who mediate musical representations in myriad ways (including via links and mp3s): Should we understand our acts […]
Read More →Those of you familiar with WHRB, Hahvid’s student-run radio station, will no doubt be familiar with its semester-end “orgy” ritual: as students go back (or begin) to read up on a term’s worth of material for their exams and papers, the radio station broadcasts marathon sessions devoted “to a single composer, performer, genre, or subject.” […]
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