YouTubology, Spring 2015

As you may know, I think the mini-mega-montage is the method, and I’ve been asking students to make them for a few years. One of my biggest inspirations for assigning students to make YouTube-sourced montages is the fact that musical supercuts are already an ordinary practice, whether we’re talking about the best Nae Nae Vines […]

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The Amplification of Souls (review)

Gilles Aubry’s The Amplification of Souls is a meticulously composed and conceived “audio-essay” (Aubry’s term) on Kinshasa’s charismatic churches and the broader soundscape they inhabit and inflect. I reviewed the CD, along with its 80 page booklet, in Issue 371 of The Wire (January 2015). As usual, I am posting the final draft I sent […]

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Fresh Jamaican Catch-Up

What can I say? It’s been a chockfull summer. Mostly with farming and teaching, but also, I’m happy to note, with writing and talking about music as well. And while I’ve found the time to do some “dancing about architecture,” I’m afraid I’ve been a little slack when it comes to linking/re-posting it here. So […]

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Summer of Technomusicology (2014): DJ Mixes

The fifth etude in our summer session required students to cook up short DJ mixes that follow a particular musical thread across time and space. As readers will know, I’ve made a few of these over the years, and I’m obviously enamored of such an audible form of storytelling about music culture in the age […]

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Summer of Technomusicology

The Summer of Love is way behind us, as is the Second Summer of Love, & perhaps the Third and Fourth. The Summer of Technomusicology, however, will soon be here! I’m thrilled to report that I’ll be offering my favorite class to teach in the world right now, as premiered last year at Harvard U, […]

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Desperately Seeking Dembow: Wayne & Wax Poetics

I don’t know if you dear readers get tired of hearing about dembow, but I sure don’t. That said, if my boom-ch-boom-chick narratives start to seem as monotonous a march as some allege with regard to the dembow beat itself, do let me know. Well-worn paths notwithstanding, I’m happy to share this latest riff on […]

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Groovin’ on Groove Music

Appended below is the “director’s cut” (or unabridged author’s version) of a book review I wrote almost a year ago, which will soon finally see the light of day in the Journal of Popular Music Studies. The book is Mark Katz’s Groove Music, and I say enough below that I needn’t say more here, but […]

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Megamontage Is the Method: Mozart to K-Pop

an utterly awesome eight-year-old diva, via YouTube This past week I’ve whipped up another couple YouTube montages in the vein of Gasodoble, Bump con Choque, and my students’ projects in last year’s technomusicology class. Unlike my previous efforts, which not too surprisingly involve reggaeton, these new mega-montages engage repertories that I don’t generally mess with: […]

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Raggamuffin Hip-Hop Mega-Post!

illustration by Patrick Kyle for Cluster Mag I’m very happy to share some new work that involves quite a bit of collaboration: two articles and a truly epic mega-mix devoted to the rich, ruff-and-ready sound of raggamuffin hip-hop — aka, dancehall-derived flows over breakbeat-based beats (ca. 1987-94). It’s a distinctive and special repertory, near & […]

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Dembow Complex

In case you missed it, I recently published a piece in RBMA mag about the history of the Dembow, a history I’ve been working to tease apart and put together for a looooong time now. If you’re not familiar with RBMA, it stands for Red Bull Music Academy. And I was pretty happy to be […]

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Panel People, Can Y’all Get Funky?

For anyone who missed our panel last week and would like to check out our conversation, I’m happy to report that it’s been archived here. But here’s an embed for your viewing ease — Video streaming by Ustream Thanks again to my eloquent interlocutors, all of whom had colorful stories & trenchant perspectives to share, […]

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YouTubes in Cross-Cultural Perspective

Today is the final meeting of my last class at Harvard this year — and possibly my final class as a college-level instructor, but we’ll save that discussion for another day. For now, I’ll leave you with a few playlists I created in order to have some examples a click on during class. In short, […]

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Migrant Locals @ EMP NYC

Later this week, on Friday April 19 from 2-3:45pm, I will have the pleasure of hosting a panel of some dear friends & colleagues & all-around awesome folks at the EMP Pop Conference at NYC (at NYU’s Tisch School of the Arts @ 721 Broadway). An experiment of sorts, this year’s Pop Conference will take […]

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Friday in NYC: New School to Old School

I’m happy to announce that I’m headed to the Big Apple this Friday for a couple awesome engagements. First, at midday on Friday (12:10-2:50, to be precise), I’ll be guesting in ethnomusicolleague Ben Tausig’s class at the New School this semester, MP3: A Global Perspective. Our topic on Friday will be the history of filesharing, […]

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Africa Remix

This Friday, February 8, Harvard’s “African Musics Abroad” seminar will stage a one day conference called “Africa Remix” with an aim to probe the global circulation of African musics in the late twentieth and early twenty-first centuries, featuring presentations by major producers of African sound recordings, discussions with presenters of African musical performances live and […]

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It Was 10 Years Ago Today…

yung wayne wonder on the mic Almost incredibly, it was ten years ago today that I put my first blogpost online, less than a week into a six month stay in Kingston for doctoral research, accompanied by my better half — my partner on Hope Road, as I ultimately dedicated the dissertation — who blogged […]

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Music Ontology Mixtape

Ok, it’s more of a playlist, but now that I’ve got your attention… Today in my other class, Music 97c (Music in Cross-Cultural Perspective), I threw a few limit cases at my students, inviting them to think about where people draw lines between music and non-music and why it’s worthwhile to acknowledge these as we […]

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Musical Publics

Here is the syllabus for a new course I’m teaching this spring at the Big H. It’s the culmination of a few years of piqued curiosity about “public” as term and concept, noun and adjective. As happy as teaching technomusicology made me, this sort of course — an intense, focused series of readings on a […]

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The Kind of Drones We Like

Hard to believe the fall semester is already coming to a close, but we’re going out with a bang in Technomusicology (see & hear some of our projects here and there): Thursday’s final class session will feature a visit from none other than Jace Clayton, aka DJ /Rupture, globe-trotting artist, writer, label honcho, three-turntable magician, […]

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The Montage Is the Method

Last week the students in my technomusicology class submitted their video ├ętudes. The assignment was relatively straightforward: make a montage of YouTube-sourced videos interlinked by some (musical) subject, theme, or tune. One additional challenge, if made far easier by Ableton’s video capacity, was to attempt to bring the various performances into a kind of musical […]

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