Considering the prodigious and idiosyncratically imaginative output of Mr. Munchi, it’s seeming more and more apt to call what he’s doing something like a genre unto itself. Moombahcore? Nah, Munchiton!
Just yesterday I was flipping over his Amen-breaking, dembow-dripped, synth-cackle, “Datsik – Firepower (Munchi Moombahcore Rmx).” And then this morning I find the following in my inbox. Readymade blogpost hype? I’ll take it. Seriously, though, I really love the way Munchi explains his thinking behind each track and his general tracing out of all the influences (confluences?) coming together in his mad, moombah-fried mind:
I have been listening to alot of Cumbia/Chicha/Guaracha/Tribal these days
and it inspired me to dedicate this months promo to it!
After the Moombahton Promo things got pretty wild and it appeared almost everywhere.
While still experimenting with this genre (now Moombahcore), i found myself listening to more and more Cumbia. Especially when i got introduced to Sonido Martines’ Sonambulo Orientalista Mix. Without exaggerating, the mix was on replay for weeks.
More and more Cumbia seemed to cross my path and after hearing alot of
mixes (especially Toy Selectah’s), Eric Rincon, DJ Icon, Sonido Del Principe,
Uproot Andy, Kumbia Queers, etc. it was Tribal that really caught my attention.
This sound -although completly different- seemed so familiar and close to me for some reason.
Hearing this reminded me of Brazil’s Funk, Dominican Republic’s Mambo, Angola’s Kuduro, Puerto Rico’s and Panama’s Reggeton, Jamaica’s Dancehall, Baltimore/Philadelphia/Jersey’s Club Music, Chicago’s Juke Music and more recently Dave Nada’s Moombahton.
All these genres have these simalarities in them which i personaly like, they are from a located area and carry the tradition of those areas. I think Toy Selectah described this best. He said it was all Hiphop. The Hiphop of those reigons. Also they have a certain rawness, alot of bass and a straight-to-the-point-ness with often sexuality as theme. In the case with Mambo the FL-cheapness that i really appreciate.
So i started experimenting and while making the tracks i realized it has very much in common with Kuduro. Unexpected turn, but proven when i changed some things up. It went from full Tribal to 100% Kuduro. I kind of like these type of connections and also found myself making this tracks with Mambo ‘heart’. The rawness and ‘cheapness’ were elements of Mambo that i put into this ep. Also turning the sexual vibes a notch up as that was the only thing that seemed to be missing in comparison with the other genres. I didn’t want to exaggerate and experiment too much as the key for the promo’s still remains staying true to the genre.
So here it is! Cumbia XXX EP. let me give you a short explanation:
Mujeres Tan A Jarro
The vocals from one of my favorite mambo tracks ever. DJ Sensual has made so much good its ridiculous. matter of fact, search him on google and see if you get some hits. You probably another dude with the same name. I guess he stopped making music.. because after the transition of the computer mambo to the mambo we know now, he dissapeared in thin air. The little ‘faults’ are on purpose, as in the whole ep. They are everywhere: progress of the track, the beat,
effects, etc. Out of tone accordeon, annoying melody, Sensual’s cheesy voice, random moaning.
Damn, i fucking LOVE cheapness!!!
When the track starts you might think ”Dude, this isn’t Cumbia.” I know, have patience my friend after you hear the oh so familiar and overused reverse crash of reggeton, it introduces a rather non-hype buildup that is made of ingredients that cause hypeness. Afrojacks familiar b-more kickpattern with Bmore a la Cumbia.
And after the girl tells you what she is expecting from you, you get this Cumbia track oozing of Baile Funk (thats why the title is Portuguese of course) with a hint of Bmore. I didn’t spare the use (read: overuse) of random moaning. True story: I sampled random Brazilian Porn for this track.
You know, i get this feeling all the time with Cumbia. Especially with this track, like this relaxed type of hypedness. Its like “Shhh, im getting hype to Cumbia. Do it quietly tho.” while rockin Native American inspired dancemoves. No agressiveness, just vibin. Its all good manito, it is all good.
Starting with a dosis of epic cheapness. A lot of reverb, explosions, overused Reggeton effects and airhorns. It gives you: the out of tone accordeon. Dude seriously, i thought that i loved the way Mambo used dirty hihats as guiros or the timbal of Reggeton’s Dembow. The cowbell, man that shit is gangsta. I mean, there is even a break in it that consists only of cowbell and bass. After that it gets wild with a good old Dutch House synth. Btw the b-b-b-b-Bellakeooooo is me! Recorded in 05/06 or something and now i could finally use it!
This one is my favorite as this is the cheapest of the bunch. The synth is made of a phone sound, when you press a button. Not sparing you on the obvious reference, the track will make it clear to you when a random rooster thinks its time to wake you up. Couldn’t leave this EP without the overuse of Dembow’s timbal. But no in contrary of what you might think, this track reminds me of this crazy ass dude in D.R. which nickname was El Gallo. This dude thinks about
sex and women all the time, drinks Brugal as it were water constantly and watches girls at night with his binoculairs as a hobby (they all know it and leave the windows open on purpose lol). Did i mention that he is funny as hell. Gallo, this track is for you!
Deja Tu Vaina Mujer
Ay Tan Sucia!
my bad Dave, you know i had to give a shoutout to the Moombahton movement, ya tu sae!!
O yeah and btw, deja tu vaina mujjjjerrrr!
Well thats all for today lol.
Let me know what you think of it!!
Download Link [320 Kbps]:
I think it’s an awesome earful. How about you?