Wave Count

I’m happy to announce that MIT’s Stefan Helmreich and I have been collaborating on a mega-mix devoted to music that evokes or otherwise represents ocean waves. Building on Stefan’s anthropological work with ocean scientists and my ideas about telling musical stories musically, this mix carefully stitches together 70 pieces in a 3 movement, 44 minute

¡Antigua Vaina!

This mix amplifies the resonances between the music of 19th century composer Louis Moreau Gottschalk and the bedrock rhythm of reggaeton and a great deal of recent pop music — a/k/a, dembow. As much a tribute to Gottschalk’s faithful fantasias as to the numerous architects of dembow aesthetics, we hear in their juxtaposition how one

Another Crunk Genealogy Turns 10

Hard to believe, but my ol’ mix, Another Crunk Genealogy, was published 10 years ago today. It’s been up all this time (along with the other 49) — and indeed, I welcome any newcomers to peruse the detailed notes and FruityLoops demos here — but I’ve just posted it to Soundcloud to let it circulate

Summer of Technomusicology (2014): DJ Mixes

The fifth etude in our summer session required students to cook up short DJ mixes that follow a particular musical thread across time and space. As readers will know, I’ve made a few of these over the years, and I’m obviously enamored of such an audible form of storytelling about music culture in the age

Jampacked Picó

Picó Picante is always a nice nice time, but this Friday they’ve really stacked the decks — All these DJs are stellar and longtime friends & colleagues, and among other things, Jubilee has a poppin new EP out on Mixpak Records, and Dev/Null just posted a helluva 2 hour session devoted to atmospheric jungle from

Cyaan Stop Won’t Stop

If raggamuffin hip-hop never gets tired for you either, I’m happy to report that yet another juicy mix of fliptongue stylistics over dusty breaks and jeepbeat bass has come to my attention — Originally cooked up in 2010 by one Matt Nelkin, and now re-upped with special edits for your DLing & DJing pleasure, “Boombap

Picó’clock

Once again it’s that time! I’ll be guesting at Boston’s Best Dance Night™, Picó Picante, this Friday– Picó is always the ideal occasion to break out treacly dancehall pop covers, classic reggaeton, salsa remixes, and azonto jams, among others, so, yeah, pretty much always ready for that. And readers of W&W need no intro to

Raggamuffin Hip-Hop Mega-Post!

illustration by Patrick Kyle for Cluster Mag I’m very happy to share some new work that involves quite a bit of collaboration: two articles and a truly epic mega-mix devoted to the rich, ruff-and-ready sound of raggamuffin hip-hop — aka, dancehall-derived flows over breakbeat-based beats (ca. 1987-94). It’s a distinctive and special repertory, near &

Owed to Picó Picante

Tonight is the 2 year anniversary of Picó Picante, one of the shining lights of Boston’s club scene, and something I’ve been grateful to be close to — The pics of me at Picó over the years attest to the special vibes of the place (even when I’m seemingly giving the stankface to someone making

Riffs on Riffs on Riffs

If you haven’t heard it yet, I finally cooked down a Zunguzung Mega Mix that features all 50+ instances that have come to my attention since I first started listening for that catchy likkle tune and, with the publication of this piece back in 2007, enlisting others to lend me their ears. The impetus for

Boston Mashacre

On the 243rd anniversary of the Boston Massacre (bigup Crispus Attucks!), I’m reposting the merely titular-pun-related mix of Boston-associated songs I cooked up for the Somerville Art Council back in 2005. This is also (barely) germane to the day given the currently flaring debate over Massachusetts’ official rock song. (As they say around here, I

It Takes a Little Sharing

In honor of the late, great Aaron Swartz, pictured above, I’m making an overdue effort to get some of my own works out from behind walls of various sorts and into the open. (This is always my practice, but sometimes there’s more of a lag than I’d like.) I can’t say that I ever met

Rocksteady to Lit City

If you happened to have slept on either of these two recent and utterly epic Beat Research sessions, I’m happy to report that both DJ Rashad’s blistering juke set and Junior Rodigan’s masterful tour of Studio One’s rocksteady resonance are now online and listenable & what-not. Enjoy!

Find Us In Da Clob

So super siked about Beat Research 2nite! We’ve got not one but two local luminaries, Ivanna Bergese (aka DJ Philomena) and Pete DevNull, two of my all-time favoritest lovers of music and dance and total stalwarts and supporters of so many scenes here that they really do each deserve an award. In lieu of that,

Atropical Base

This week at Beat Research — now every TUESDAY at Good Life in downtown Boston — we’re enthused to host none other than NYC-based Dutty bredrin (and local alumnus!), Atropolis. Hailing from / representing Queens, Atropolis co-hosts regular parties (and expeditions) as part of Cumba Mela while pumping out remixes that get to the essence

Lambada Is a Feeling

I’m happy to report, just in time to soundtrack that new spring in your step, that I’ve cooked up a new mini-(mega)-mix! This one follows the circulation and permutation of a song I’ve tracked here before, “Llorando Se Fue” — better known to the world as “Lambada.” [audio:http://wayneandwax.com/wp/audio/moments-in-lambada.mp3] You can get some sense of the

7 Years of Beats Researched

Tonight marks an amazing 7 years of warped records, self-destructing mp3s, and other mutant musical tricknologies at our modest but massive Monday institution, Beat Research! #swag To celebrate, we’ll be ringing the anniversary alarm with two of our favorite purveyors of bassculture-bred dance musics from the wide, wired world: erstwhile Bostonian DJ Ripley and Boston’s

dubble dub (riddim meth0d repost)

Although I initially posted this mix in November 2005, springy days like today — it’s nearly 70 degrees and flowers are poking out of the ground! — always seem like just the right setting for my dubby take on dub, as prepared a little over 5 years ago for bredrin Brynmore‘s erstwhile weekly, Heavy Dread.

Tribal Greengo

I’m happy to announce, and not a moment too soon, that I’ve arranged some festive music for today. When I put together my first St. Patrick’s Day mix some years ago, it was an obviously tongue-in-cheek gesture. You might recall that I began with House of Pain before bringing in the romping stomp of the

Screw Remix-mas

Well, five years on and I’ve still yet to produce a follow-up to my woozy take on Xmas music. But since this appears to be the year when the world, ironically, finally caught up to screw, here’s ye olde Remix-mas pitched down a few — w&w, remix-mas (screwed) 43 min / 99 mb [audio:http://wayneandwax.com/wp/audio/remix-mas-screwed.mp3] Tis

What Lamin Did

Last week Dutty Artz released a lovely, largely unpredictable set of 4 tracks produced by longtime blog/label staple but debuting artist, Lamin Fofana. (You can hear & buy individual tracks at Amazon and elsewhere around the web.) I wasn’t sure what to expect, never having heard any of Lamin’s productions. Sure, I’d heard mixes and

Gam and Sam

One of our guests tonight at Beat Research is Baltimore’s Sam Hopkins, aka Balagan, who promises to bring quite a (digital/digitized) crate with him. He might mix things up like — The great pic above comes from a piece Sam just published in Wax Poetics about searching for vinyl in Casablanca. Allow me to snip

Wax On! (700 Club Linkthink)

here’s looking at me Apropos of noticing, this marks the 700th post since I moved this blog to my own server, way back in October 2006 — almost exactly 4 years ago, and well before Google/Blogspot starting alienating users en-masse. That’s a lotta posts, and I want to thank all of you who read here

Kingdom Come Again

dude is dead serious We’re happy to welcome Kingdom back to Beat Research this coming Monday, Sept. 13. Readers of this blog need no intro to one of the dopest producers/DJs working the decks in the global bass scene these days. But if you haven’t checked his latest EP, That Mystic (Night Slugs), you need

Todo Mundo Musikeando

When I was in Mexico recently, I gave a lecture-demo on how one might express ideas about music through music. (Readers of this blog will be familiar with these approaches, especially via my excursions in riddim meth0dism.) Although I want to keep the concept as open as possible, believing there are myriad ways to do

The Lemon-Red Mix (riddim meth0d repost)

Two birds, one stone: in the ongoing effort to re-host some adventures in riddim meth0dology, this post also continues the recent trend of recommending mixes well-suited to summering. (But plz note — I really do think of this mix as suitable for all seasons.) I’m very happy to (re)present: our Lemon-Red Mix! >>> The Riddim

DJ El Niño Presents: Dancehall Reggaespañol 2010

I first got in touch with DJ El Niño several years ago, dead in the middle of a little research project that would finish like this. (Incidentally, my co-editor Deborah Pacini Hernandez just publlished a new book which is well worth checking: a sweeping and deep synthesis of the history of Latin American popular music,

Mix, A Lot — Summertime Edition

Despite that the majority of what I listen to takes the form of DJ mixes, and that I probably download something around 3 per day, and that I probably like a good third-to-half of what I DL, I rarely find the time to write about all this great stuff I’m listening to. So aside from

Shake Yr Funky Fulbright

Tonight’s Beat Research appearance by Canyon Cody and his Gnawledgable cohorts gives me a nice opportunity to lavish some overdue praise. I first met Canyon not via internets but thru my brother, a classmate and friend of Canyon’s at Boston College. My bro suspected we’d have a lot to talk about, and he was right.

version a version (riddim meth0d repost)

[Ok, while I’m grinding on non-bloggy things, let me keep things moving here by offering up another from the riddimmeth0d vaults. I’m happy to report that I’ve since discovered more info about the origins of “Bird In Hand” here, which points out that the female singer on “Milte hi aankhein dil huwa” (from the 1950

Fight the Sour

It’s a gorgeous day in Cambridge. The first day (that I’ve been here anyway — think I missed a couple while in Austin) that you want to wear a t-shirt outside, spend all day outside, cook meat outside, drink delicious beers outside, and listen to music like this —       >>>> melonhands, fatmix          Between

Reanimating the Castles

Pacey Foster has a great post over at his blog detailing a recent discovery of — and creative engagement with — a 1914 book published by Vernon and Irene Castle, perhaps the premiere dancing couple in the pre-jazz age and crucial players in the formation of the “society” dance scene in NYC during the 1910s.

Listening Log #425963

A few recent projects of note landed in my inbox last week. And though I don’t have the time to really give them the write-ups they deserve (and don’t get me started on the backlog of projects I need to big-up), they each grabbed my attention — a remarkable feat in this age of info-glut

Dubby Sounds for Baby

Not only do Flack and I share a penchant for experimental party music, we also share the experience of being dads to two young kids — in his case, twins! Of course, I’ve given lots of thought to seeking sounds for babies, and I’ve been meaning to make a mix of my own reflecting some

dem bow legacies (riddim meth0d repost)

[Since we’re talking about reggaeton again, and about the absence/return of dembow, it seems like a good moment to repatriate the following riddimmeth0d post from early 2006. The post, a complement to an article on reggaeton I wrote for the Boston Phoenix, features a mix which uses the dembow drumloop to string the songs together,

Acid Washed Genes

I’m thrilled that Joro-Boro is due to join us tonight for a little Beat Research. A few months ago, I received a fortuitous email from him, linking me to a new mix he’d put together, full of what he called his “favorite local dirty sounds” — a familiar if distinctive melange of polyrhythmic electronic dance

remix-mas! (riddim meth0d repost)

[I haven’t made another Xmas mix since this first attempt four years ago, and I’m not quite sure why. Despite my nostalgia for the sounds of the season, I think I quickly reach saturation. Anyway, I repost this for those of you who haven’t heard this before and are not yet feeling oversaturated. For those

Reppin Da Bean

Tonight at Beat Research we’ve got a special session in store: our main man, Pacey Foster, will be teaming up with heavyweight hip-hop scribe Brian Coleman to celebrate Boston hip-hop. Yeah, you read that right. And what? We rep da bean, knamean ;) The occasion is the publication of an essay by Pace on the

Masala Mini Mix

I’ve been listening to the MasalaCISM radio show for years, so it was a thrill to finally make it over to the studio when I was in Montreal last weekend. Extra bonus: Poirier and Dub Boy (in from Bristol for Karnival v.1) were also Bendude‘s guests that evening. Benoit started red hot with uptempo dancehall,

one plus one equals three

This spring, after Nettle’s Boston visit, an ol’ fan of /Rupture and the Toneburst Collective told me that she still had a copy of a vintage /Rupture mixtape. On cassette! You know, from back when “mixtapes” were actually tapes. I borrowed it and digitized it and emailed it to Jace. I also asked if I

Vampire Squid Beats

Tonight’s Beat Research brings to Boston the shady presence of a shadowy figure known as DJ N-RON. N-RON first caught my ear back in ’05 with his (& Leftenant’s) mix, “A Thunder Sound” (mp3), chock full of remixes and drawing together a wide range of sounds — from dancehall, grime, electro, leftfield hip-hop, ethnomusicology classics

But I’m Not a Leprechaun

Longtime readers have heard on previous March 17s this here mini-mix of “trad” Irish beats and stompin electronic shuffle. For those of you looking for a little seasonal soundtrack, here you go again —       >> w&w “doctorin the guinness” (9 min / 9 mb)       [audio:http://wayneandwax.com/riddimmeth0d/wayneandwax_doctorin-the-guinness.mp3] This should be especially resonant if, say, you’re on your

Real Talk, Lads

So, yeah, inundated by mixes, but finally got a chance to check out last month’s Rinse FM set by Butterz (ft. Terror Danjah), which shows grime (& its bastard cousin, dubstep) alive&well & wot-u-call-it as ever. Comfortably contentious even! Esp w/ the notion that grime might be less than alive & well. I love the

Mix, A Lot

With their latest greatest up-to-the-timeness (actually, an overview of 08), the Heatwave remind me that I should really bring more of the many mixes I enjoy to yr attn. These days, and for the last several years really — ever since the rise of the mp3/blog mix (h/t L-R?) — I listen to music mainly

Dem Bow Dem

I’ve already discussed and DJ-demo’d the degree to which the Dem Bow riddim underpins the lion’s share of reggaeton tracks. But one remarkable part of the story I haven’t given much focus here is how “Dem Bow” the song — in particular, the chorus melody, but also the basic theme of the lyrics — has

Vid Wit It

For those who liked my modyfier mix but really want to know what track is playing when, now u kno — Vid Wit It from wayne marshall on Vimeo. Not necessarily the most gripping video or anything, but I do like the demystification of the process it presents. Just to clarify, what you’re seeing here

Gig Wit It

I made a mix for modyfier! Go on get it, gig wit it, etc. If you’re not familiar with the modyfier series, here’s a primer, written back at the 50th episode milestone (mine’s #124). Rayna has commissioned tons of great mixes, with ruminations on process, from such lovelies & luminaries as Luomo, Philip Sherburne, Ripley,

Pop Champagne, Pop Copyright

Listening to the Federation‘s recent mixx of reggae hottage for Mad Decent, a few things struck me per recent conversations here: [audio:http://media.libsyn.com/media/maddecent/mad_decent_radio_44_federation.mp3] 1) the use of the “hey” sample in the intro (0:30-0:40), like an airhorn or any other selector sound effect (speaking of which, check the first sound on that page — you can’t

Kiddy Mixxage

this is how we roll DJ Ripley re:ups (for only 7 days?) a mix she made recently for friends who have kids. I count myself in that company. It’s not what most people would finger for kids music, which I appreciate. I can only hear “Froggy Went A-Courtin” so many times. Then again, if it

Giving Away the Ending

It’s been a long time since I’ve shared a mix with y’all (not incl that brief bit for Blogariddims 50). No good reason for that. I’ve been DJing every Monday night at Beat Research and I’ve got as many ideas for thematic, quasi-pedagogical mixes as ever. Blame time (or lack thereof). The time it takes

Holidazeeee

It’s that time of year again, even if the incongruously balmy weather suggests otherwise. So, this past weekend Bec & I made another set of black cakes. This time, in anticipation, we started the fruits soaking in black-strap rum and Manischewitz a couple weeks in advance. And man, did they come out sweet. To vibe

Fun with Phonemes

Since last week’s zungu-fest, I’ve had my eyes peeled for similar (semi-)Swahili utterances. And whattaya know, scanning the tracklist for Taliesin’s Apricity mix (which I recommend you listen to — it was a nice soundtrack this past Wednesday, when December actually felt like April), I noticed that the jumpoff track was by a group called

Iron Chic

Bidoun Magazine – Art & Culture from the Middle East | Twilight of the Iron Sheik | By Negar Azimi the story of the iron sheik :: 'An Iranian impersonating an Arab dressed as a Turk, he was part pirate, part djinn, all man. The WWF that Vaziri joined was in the midst of reinventing

Penultimate Warrior

The Adventures Of Soul Clap Podcast Episode 42: Eddie Neal Brings It Back To 88 | The Soul Clap Blog – House. Techno. Dance. Music. Boston. a little local DJ history (and a mix!) c/o the Soul Clap dudes & Eddie Neal :: pull quote — 'Back then [late 70s / early 80s] the Boston

Patriotic License

Mixin’ It Up: Downtown | Discobelle.net thx to boima for pointing me to this — quite a mix — enjoy the minimal steez and that intro track/mix, despite some serious schizophonia, works remarkably well :: ethno techno sez wha? thought so. (tags: minimal techno mix DJ mp3blog funkcarioca) FINAL REPORT | DIGITAL YOUTH RESEARCH "Social

Austerity Gospel

Inside Indonesia – Punks, rastas and headbangers: Bali's Generation X a short piece by emma baulch (who recently published a book on the subject) about popular music in contemporary bali, esp alternative, metal, and reggae :: "Although dominated by covers of Bob Marley songs, the Bali reggae scene is much less about the struggle for

PeanutButter & YouTube

Confessions of an Aca/Fan: How We Help Spread Political Messages… 'Four years ago, the activists were using the term, "viral media," and I suppose they still are. If I had my way, the term and "memes" along with it would be retired from our vocabulary of talking about how media circulates. There's something sick and

Nietzsche House

The N-Word Is Flourishing Among Generation Hip-Hop Latinos – Music – Village Voice "Somehow, the n-word has found its way back into hip-hop's critical zeitgeist: I'm interested in exploring, as a Dominican New Yorker, how we as a community have propagated it. Recently, due to the mounting criticism of Boricua rapper Fat Joe's use of