Stage Show Excerpt & Counter Canonical Discourse
If we’re listening for the presence of Jamaica in hip-hop (and hence in NY/US/worlwide), we could attend to such a thing on any number of levels: 1) the occasional 3+3+2; 2) the influence of dub engineering on hip-hop mix aesthetics (e.g., echo, layering, lowend); 3) double-time, flip-tongue, fast-chat flows; 4) accents, cliches, Rasta mantras, and […]
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