like the moon
Afropop Worldwide has a new program, airing currently on terrestrial radio in the US (and soon to appear online as streamable audio), which focuses on a subject near&dear to the heart of this blog: world music 2.0, aka nu-whirled music, aka global ghettotech. Or as they put it — Afropop Worldwide takes us into the […]
Read More →Ah, music (departments). Here’s an excerpt from an email I received this week from the academic administrator in my dept here at MIT (which, in case you didn’t know, is Foreign Languages & Literatures, not, as some might assume, Music & Theater Arts): In order to justify [cross-listing your course] to the Music Faculty, they […]
Read More →I’m excited to announce, for a couple reasons, that next week PBS will begin airing the 4-part series, “Latin Music USA.” Episode 1 (Latin Jazz, Mambo) and Episode 2 (Salsa) will air on Monday, October 12; Episode 3 (Chicano Rock, Tejano, Norteño) and Episode 4 (Latin Pop, Reggaeton) will air the following Monday, October 19. […]
Read More →wheel it back, selector I’m going to take a page from MBQ’s playbook and reblog a rather interesting post on sound cannons (aka LRADs, Long Range Acoustic Devices™) by fellow ethnomusicoloblogger, Ben Tausig, who is writing a very engaging blog about the “politics of sound.” I find Ben’s thoughts particularly revealing against the backdrop of […]
Read More →I’ve received repeated requests to share the text I delivered in my pre-concert talk for the Nettle residency at Brandeis. It’s only taken me four months to post it here finally. Regular readers of this blog may find certain passages familiar; some are literally cut-n-pasted from posts here (where I do a lot of my […]
Read More →charlie sporting a hat bearing the name of his boat, a name inspired by some songs No doubt most readers of this blog are aware that my father-in-law, Charlie Nesson (aka eon), is also very much IN LAW. And he’s been making the news a lot recently, mainly for defending (pro bono) Joel Tenenbaum against […]
Read More →Some bookish things to report, including the latest re: Reggaeton — namely, that tomorrow, Wednesday May 27 (which happens to be my born day), I’ll be appearing alongside co-editor Raquel Rivera on WNYC’s Soundcheck.
Read More →Raquel, mi querida co-editor, was recently in Puerto Rico to talk Reggaeton. Among a variety of venues, she also ended up on video — While watching I was surprised to see, suddenly in the mix, a wordle I made from my chapter in the book. A fitting backdrop, sin duda — Have you read it […]
Read More →Late notice on this, but if you’re inna di Cambridge area, some dubwise research a gwaan this pm — Michael Veal, professor of ethnomusicology at Yale, bassist, and the author of two interesting and informed books, Fela: The Life and Times of an African Musical Icon and Dub: Soundscapes and Shattered Songs in Jamaican Reggae* […]
Read More →I’m heading to Seattle tomorrow to attend EMP’s Pop Conference for the second time (the last time was back in 07). I think EMP might have the best vibes of any music conference I’ve attended (and I’ve attended a few). The reason is simple: it brings together people — generally academics and professional music writers […]
Read More →I know, I know, I’m flogging at this point. But I’m really quite excited to hold this thing in my hands.
Read More →thx again, lmgm Like I try to do with most fruits of my labors, I’m liberating some recent words of mine here (shhh!), composed last week for a relatively well-consulted (by music grad students?) music “dictionary.” It’s likely that none of you will read them otherwise, not that you’d necessarily want to. (I’ve received requests […]
Read More →You may have heard, somewhere in the background perhaps, that Muzak filed for bankruptcy. Here’s an MOR-perspective podcast about it, bordering on inanity — A better use of your time & in the pdf-blog spirit, here’s a musicological analysis, written 20 yrs ago (!) by me ol’ advisor — >> Radano, Ronald M. 1989. “Interpreting […]
Read More →photo by Brent Hagerman In the first comment on my Zunguzung Meme post, Droid asked the perfectly reasonable question, Is it possible that Zunguzung itself is an adaptation of someone else’s work? It’s something I’d been wondering myself, of course — for about as long as I’d been noting the melody’s long legs, really. In […]
Read More →Since the conversation continues about trad v modern in African music, and since we read something germane about it for class yesterday, and since I’m still tryna maintain that pdf-blog grind, I thought I’d take the opportunity to share another: >> Monson, Ingrid. “Riffs, Repetition, and Theories of Globalization.” Ethnomusicology 43, no. 1 (1999): 31-65. […]
Read More →Since Canyon is bugging me to follow thru on my promises to make pdfs the new mp3s, and b/c Chief Boima put up a provocative post that inspired me to upload a couple of my favorite ethnomusicological articles about African music, I figured I should share them here too. Here’s what I wrote on Boima’s […]
Read More →YouTubemusicology c/o Phillip Tagg — who adds — This video is part of the ongoing feature-film length “movie” project “Fernando the Flute – The Film of the Book of the Music”. To find out what the I-vi-ii/IV-V matrix might actually mean you will also need to view “Fernando Museme 3 Part 1” and Fernando Museme […]
Read More →Mediascape | A Curious Circumstance of the iPod Shuffle | by Bill Bahng Boyer cool click-thru piece by ethnoid bill boyer on the ipod & ipod shuffle & capitalism, subjectivity, etc. etc. :: "As a recovering liberal individualist who once unquestioningly subscribed to the epistemological framework posited by a Western, visually constructed notion of subjectivity, […]
Read More →The Duke U Press catalog for Spring 2009 is already out. Why should you be excited? See pg 1 —
Read More →Inside Indonesia – Punks, rastas and headbangers: Bali's Generation X a short piece by emma baulch (who recently published a book on the subject) about popular music in contemporary bali, esp alternative, metal, and reggae :: "Although dominated by covers of Bob Marley songs, the Bali reggae scene is much less about the struggle for […]
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