Sunday Morning Videyoga

c/o some frens around the ‘osphere, a couple transnational texts for yr viewing pleasure — first, from @ripley, my favorite musical meme rears its head once again, thus time in a mid-90s Swedish rave-pop setting!? sez rip: note the ZUNGUZUNG at 1:04! [Leila K.]’s of Moroccan descent but from Sweden & this song was number

Introducing…

Charlie Nesson Marshall, born 24 March 2009, 4:55 am, 7 lbs and 14.2 ozs Mother and daughter are doing well; Nico seems curious & amused about her sudden sister. Dad is downright delighted, as you can see. & dog tired. G’night!

Hungry Hosts

photo by Max Shay for The Hoot Nettle’s residency at Brandeis — a series of revelations for yrs truly — is now over, but we’re not done hosting geography-defying beatbreakery just yet. Tonight at Beat Research, we’re celebrating our 5th anniversary (!) with the help of Grey Filastine, pictured above playing percussion with Nettle, who’ll

But I’m Not a Leprechaun

Longtime readers have heard on previous March 17s this here mini-mix of “trad” Irish beats and stompin electronic shuffle. For those of you looking for a little seasonal soundtrack, here you go again —       >> w&w “doctorin the guinness” (9 min / 9 mb)       [audio:http://wayneandwax.com/riddimmeth0d/wayneandwax_doctorin-the-guinness.mp3] This should be especially resonant if, say, you’re on your

Real Talk, Lads

So, yeah, inundated by mixes, but finally got a chance to check out last month’s Rinse FM set by Butterz (ft. Terror Danjah), which shows grime (& its bastard cousin, dubstep) alive&well & wot-u-call-it as ever. Comfortably contentious even! Esp w/ the notion that grime might be less than alive & well. I love the

Cri’ical Feory

You’ve seen these already, but I can’t resist the juxtaposition —

Mix, A Lot

With their latest greatest up-to-the-timeness (actually, an overview of 08), the Heatwave remind me that I should really bring more of the many mixes I enjoy to yr attn. These days, and for the last several years really — ever since the rise of the mp3/blog mix (h/t L-R?) — I listen to music mainly

Balls of Steele

how u like me now off the hook in the facebook with the twittering in urban/suburban hip-hop settings? GQ: do you have a favorite [rap act]? Steele: P. Diddy I enjoy quite a bit. GQ: Do you want to rethink that? Steele: [laughs] I guess I’m sorta old-school that way. Remember, I came of age

Cajas Pequeñas

thx again, lmgm Like I try to do with most fruits of my labors, I’m liberating some recent words of mine here (shhh!), composed last week for a relatively well-consulted (by music grad students?) music “dictionary.” It’s likely that none of you will read them otherwise, not that you’d necessarily want to. (I’ve received requests

Clap Yr Hands

Tonight at Beat Research, we’re happy to host Boston techno mainstays Soul Clap! The Soul Clappers are a vibrant part of this city’s music/dance scene, playing nearly non-stop, blogging and prolifically podcasting, keeping the flame aloft for (weekly) techno in Boston/Cambridge (including some great parties on the Charles when the weather’s right), supporting a broad

Covers, Blurbs, y Otras Traducciones

Amazing how an Amazon link makes our book finally feel real. (Pre-orders in teh house!) And though they don’t have any imgs yet, I’m happy to report that I do, and — having lobbied HARD for this particular photo by Miguel Luciano to grace our cover — I’m thrilled to share it with y’all: On

Music Unites Us, Gets Under Our Skins

I couldn’t be more thrilled to announce this — At a time when the arts community at Brandeis is feeling rightly beleaguered, it brings me no little satisfaction to know that we will be putting on a rather art-ful residency later this month, sponsoring the US premiere of such an exciting, provocative, and relevant group

Dem Bow Dem

I’ve already discussed and DJ-demo’d the degree to which the Dem Bow riddim underpins the lion’s share of reggaeton tracks. But one remarkable part of the story I haven’t given much focus here is how “Dem Bow” the song — in particular, the chorus melody, but also the basic theme of the lyrics — has