like the moon
This is the second post in a sporadic series here at w&w, an ongoing excavation, digitization, and interpretation of my wife’s grandparents’ record collection — i.e., the historico-musical profile of Seymour & Bernice. See here for the previous entry, and here for a note remembering Seymour. Of the many delights I’ve come across in Seymour […]
Read More →I first got in touch with DJ El Niño several years ago, dead in the middle of a little research project that would finish like this. (Incidentally, my co-editor Deborah Pacini Hernandez just publlished a new book which is well worth checking: a sweeping and deep synthesis of the history of Latin American popular music, […]
Read More →In my recent post on “Watagatapitusberry” I wondered aloud, in so many words, where “the text” in question might reside, given that most people have been exposed to an intermediary “fan”/peer-produced text (a video) more popular than the original “text” (a recording), tho perhaps soon eclipsed by a new “official” video with potentially greater reach […]
Read More →Mil gracias a Marisol LeBron, who not only first brought to my attn the wonderful nueva-media phenom of “Watagatapitusberry,” but who has offered some interesting thoughts on its homosocial joi de vivre (check her initial round-up of home videos) and has kept up on the latest developments around the song. Most recently, the launch of […]
Read More →What Happens in Riddim Method Stays in Riddim Method
I’ve written a lot here about the “riddim method,” a cheeky term suggested by my co-author Peter Manuel to describe a well-worn practice (and in the case of our article, a distinctly Jamaican version of it). We jest, but we’re serious. In short, what we try to explain is an approach to musical materials as […]
Read More →Boima’s post about a Panamanian/Nigerian jerk-off made me wonder about this Suku Castro character calling out “TODO MUNDO JERKEANDO!” So I did a quick googlywuzzit on his name and landed on this page, which not only hosts yet another interesting example of jerk practice in Panama (a mix containing no Spanish verses but cut’n’pasting several […]
Read More →I suspect some dear readers out there, much as they like me, are getting sick of seeing my bristly face when they load the page, so I figured I’d get something else up here at the top, though I don’t have time for a proper post right now. One thing about those beard shots — […]
Read More →[Since we’re talking about reggaeton again, and about the absence/return of dembow, it seems like a good moment to repatriate the following riddimmeth0d post from early 2006. The post, a complement to an article on reggaeton I wrote for the Boston Phoenix, features a mix which uses the dembow drumloop to string the songs together, […]
Read More →Ok, back to reggaeton. So, once again, back to questions of vitality and vocality. Or, how it’s doing and for whom & from whence it speaks. one way of looking at the “reggaeton” “crash” (and recovery?) I was tickled to see Birdseed name reggaeton genre of the year for 2009, fully contra Gavin’s provocative post […]
Read More →Thanks again to Tom, our man in Panama, who recently pointed me to an additional, and interesting, instantiation of the Miss Independent riddim. As we heard previously, the Ne-Yo instrumental — most famously reappropriated in Vybz&Spice’s “Rampin Shop” — has become a veritable version in Panama, supporting no fewer than a dozen local voicings (and […]
Read More →Tonight at Beat Research: the one-and-only Sonido Martines ! For those who don’t know, Sonido has been a driving force in the recent (re)surgence in cumbia interest outside of its longtime hotspots. He co-authors La Congona New Cumbia with Sñr Rupture, and he’s largely responsible — at least by my ears — for brokering the […]
Read More →I’ve been working on a talk/chapter called “Skinny Jeans and Fruity Loops” and while part of that has involved tracking floggers and tecktonik across Latin America, another part has required that I dig into LA’s similarly day-glo/geeky youthtube dance scene: i.e., jerkin. More on all of this research later. Meantime, I just want to share […]
Read More →I’m excited to announce, for a couple reasons, that next week PBS will begin airing the 4-part series, “Latin Music USA.” Episode 1 (Latin Jazz, Mambo) and Episode 2 (Salsa) will air on Monday, October 12; Episode 3 (Chicano Rock, Tejano, Norteño) and Episode 4 (Latin Pop, Reggaeton) will air the following Monday, October 19. […]
Read More →pa que tu lo sepa / pero lo sabía If you haven’t heard it yet, I want to recommend that you check out Afropop’s recent show re: reggaeton, Reggaeton Roundup: New Moves in Latin Youth Music. Here’s their blurb — When Daddy Yankee released his hit single “Gasolina” in 2005, nobody suspected what was about […]
Read More →Raquel, mi querida co-editor, was recently in Puerto Rico to talk Reggaeton. Among a variety of venues, she also ended up on video — While watching I was surprised to see, suddenly in the mix, a wordle I made from my chapter in the book. A fitting backdrop, sin duda — Have you read it […]
Read More →If you missed me & Raquel on /Rupture’s radio show last Wednesday, you can still hear it here. Update! If the audio is no longer available at WFMU, you can stream it below, but see the link above for tracklist, etc. [audio:http://wayneandwax.com/wp/audio/muddup-radio-reggaeton-090506.mp3] Thx to all who came to the NYC book launch events! The Hunter […]
Read More →Hopping the Fung Wah this pm in order to make it down to NYC/FMU in time to join Sñr /Rupture, Sñr Fofana, y mi querida compi, Raquel Rivera, on MuddUp Radio to talk (and play) reggaeton. As Jace sez — From Panamanians to Playeros to post-DemBoleros, [we]’ll be spinning rarities alongside discussion of the genre’s […]
Read More →I’m heading to Seattle tomorrow to attend EMP’s Pop Conference for the second time (the last time was back in 07). I think EMP might have the best vibes of any music conference I’ve attended (and I’ve attended a few). The reason is simple: it brings together people — generally academics and professional music writers […]
Read More →Plena is Spanish for ‘full.’ But it has other meanings too, depending where yr @ — In Puerto Rico, plena refers to street music played on panderetas (see, e.g., Sorongo‘s comments here). In Panama, plena refers to reggae — homegrown reggae en español in particular. The riddim method has been alive and well in […]
Read More →thx again, lmgm Like I try to do with most fruits of my labors, I’m liberating some recent words of mine here (shhh!), composed last week for a relatively well-consulted (by music grad students?) music “dictionary.” It’s likely that none of you will read them otherwise, not that you’d necessarily want to. (I’ve received requests […]
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