h/t Ferrari Shepherd, aka @stopbeingfamous— When I tried, I saw this — What do you see? (It changes all the time, and then again, it doesn’t.) For more Google Glances, see here.
Tomorrow / today / whenever it is as you’re reading this — Tuesday Feb 28 marks both the release of Munchi’s Moombahtonista EP and as mentioned last week, his first appearance here in Boston, at none other than Beat Research! According to the opaque metrics at Zuckerborg, as I’m writing this some 56 registered users
It’s a little astounding that this March marks 8 years of Beat Research. In celebration, we’ve managed to line up quite a month+ of very exciting guests, from locally beloved to internationally renowned. Indeed, the next 6 sessions will feature no fewer than 3 local DJs, 3 acts from NYC, and a couple exciting visitors
Check it out, my micropublic: I’ve got another “Throwback Thursdays” post over at Okayplayer’s LargeUp blog. This time I’m waxing nostalgic about a song produced by none other than El Chombo — Incluye el tema… Veteran readers of W&W may remember El Chombo as the producer of the notorious “Chacarron,” a song which — back
Last month I spoke over Skype with Roifield Brown, a British-Jamaican producer working on a series of podcasts and a short film devoted to the international influence of Jamaica’s distinctive shapes and forms, or in his words: How Jamaica Conquered the World. It’s no doubt one of many many tributes to the likkle but tallawah
Africa Is a Country, a wry but passionate blog devoted to “Africa” — the idea, not (simply) the song — in contemporary media (but “not about famine, Bono, or Barack Obama”) has been threatening to make a weekly series out of the genuinely remarkable resonance of Toto’s 1982 soft-rock anthem. It’s a begrudging tribute of
We’ve got another promising Boston premiere this week (that’s Tuesday 2/7) at Beat Research. Ekip Ritual is an ongoing collaboration between “nordestino” electro-percussion wiz, Kiddid, and Brazilian reggae/alt-pop vocalist Massarock. Drawing on soundsystem culture, Afro-Brazilian rhythms, and pop music sensibilities, the duo ride the “global bass” wave with aplomb. Listen, say, to “Caixas Elétrica Antigas”
I’ve got a piece in this week’s Boston Phoenix discussing the spectacular shuttering of Megaupload and the collateral damage produced by an increasingly aggressive copyright regime in tandem with a remarkable nonchalance about preserving the digital libraries we build. Some will recognize this as but the latest instance of platform politricks, just another rug yanked