like the moon
My Tuesday lunch talk at the Berkman Center is now available for viewing/listening/downloading/etcccc And I’m happy to report that, in fine Berkman tradition, the talk has already been blogged by some very astute observers of digital/internet culture: Jillian York offers an affirming precis here David Weinberger, author of Everything is Miscellaneous, live-blogged the talk in […]
Read More →Lamin Fofana, who recently released an excellent EP, has collaborated with Erik Marika-Rich on a video for one of the tracks, “Happy 2010 // Dark Days Are Coming.” It’s a dramatic and harrowing interpretation of Lamin’s suggestive abstractions. Bloops and bleeps offering blank spaces to be filled — Lamin Fofana, “Happy 2010 // Dark Days […]
Read More →Last week a daily newspaper from Abu Dhabi, The National, published a piece I wrote about “nu world” music under the title “Sounds of the wide, wired world” (29 Oct 2010). As usual, while I think my editor — here, the mighty Dave Stelfox — did an utterly admirable job of making my prolix prose […]
Read More →How is it that it took until this past weekend for me to stumble upon* this utterly bizarre, Bill Laswell-produced, hip-hop-infused 1987 version of “Boops” by Sly and Robbie? Be sure to watch at least up to the eskimo kiss and cello duet — *thx to DJ C for a fun-filled afternoon of random riddim […]
Read More →Yesterday, in a post about music and cellphones, Jace said something striking and funny and perfect — More is my favorite type of music, actually. Then comes 128kbps, one of my favorite musical genres. This reminded me that my favorite co-producer these days is without a doubt AVS Media Demo — (h/t who else but […]
Read More →a once-obscure music that enjoyed a fanatic embrace in the _______ slums of _______ has become a full-fledged global occasion – This could be the mantra of global ghettotech. Could hardly have written it better myself. But I didn’t. Nor was it written, despite what might be its commonplace connotations, about reggae, or funk carioca, […]
Read More →the duke, surrounded by “african flowers” — google img search, 1 sept 2010 I was really thrilled with the reception of my “Galangs” mashup last week. To see the video get passed along by the likes of the Village Voice, NY Mag, & NPR, and especially to get this sort of response from SFJ, was […]
Read More →When I was in Mexico recently, I gave a lecture-demo on how one might express ideas about music through music. (Readers of this blog will be familiar with these approaches, especially via my excursions in riddim meth0dism.) Although I want to keep the concept as open as possible, believing there are myriad ways to do […]
Read More →This video mostly speaks for itself, and speaks volumes, but here are a couple key items: The weapons are not real! We don’t support violence. Also fake picture. Song used: Punjabi MC – “Jogi“ The range of reactions are absolutely precious. Does this mean the terrorists win? h/t ebog
Read More →Next week’s Postopolis! DF happening is shaping up to be super stimulating and utterly exhausting. The schedule has been posted, and it boasts an array of guests that range from art/design-world titans to a dude who’s been diving DF sewers for three decades, and pretty much everything between and beyond. The diversity of participants is […]
Read More →Munchi follows up his moombahton splurge with some flashbacks — i totally forgot to send you some tracks i worked on in late 2009 that were bubbling but influenced by dominican music. like perico ripiao, bachata or dominican dembow. i had these finished but i was working on a whole concept thing there. Munchi – […]
Read More →The students in Elizabeth Stark‘s class at Yale this semester, “Intellectual Property in the Digital Age,” have put together a wonderful 24-minute documentary on “borrowing culture in the remix age,” including some really smart, confident, eloquent, and creative people (though I’d have liked to see some browner faces in the mix). Anyway, do check it […]
Read More →a moomba, apparently — no relation to afrojack, i don’t think Reggaeton doesn’t die, it just continues to fragment and reconstitute in a thousand different ways. (Sorry about the passive language there — I don’t think reggaeton has viral/memetic agency, but I still find myself using that sort of shorthand/emphasis even when what I want […]
Read More →A couple weeks ago, as I was driving cross-country with my brother, we tuned into a show somewhere in Tennessee which was devoted to playing 50s and (early) 60s jams from the current week, however many years ago they may have hit. This was quite a treat, especially in comparison to insane-but-boring talk radio and […]
Read More →Sometimes it really does feel like I’m in Oz, some Wizard behind a curtain producing lifelike YouTubes of my swirling musical obsessions — or like that cartoon kid Simon for whom the things he drew came true ¡ via via via con dios !
Read More →In my recent post on “Watagatapitusberry” I wondered aloud, in so many words, where “the text” in question might reside, given that most people have been exposed to an intermediary “fan”/peer-produced text (a video) more popular than the original “text” (a recording), tho perhaps soon eclipsed by a new “official” video with potentially greater reach […]
Read More →Mil gracias a Marisol LeBron, who not only first brought to my attn the wonderful nueva-media phenom of “Watagatapitusberry,” but who has offered some interesting thoughts on its homosocial joi de vivre (check her initial round-up of home videos) and has kept up on the latest developments around the song. Most recently, the launch of […]
Read More →Next Tuesday (Feb 2) will be the initial meeting of the first class I’m teaching at MIT. I’m excited about the course, a new one, which invites students to read along with me and collectively investigate what I’ve been calling music industry — that is, a broader understanding of musically-propelled cultural practice than something like […]
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