Kingdom Come Again

dude is dead serious

We’re happy to welcome Kingdom back to Beat Research this coming Monday, Sept. 13. Readers of this blog need no intro to one of the dopest producers/DJs working the decks in the global bass scene these days. But if you haven’t checked his latest EP, That Mystic (Night Slugs), you need to get right on that (hear it here). Once again, the man delivers a clique of new tracks that work that half-time/double-time hinge where crunk and garage exchange digits, where things get all kinds of hazy clubby funky, and where chirping synths and warbling diva shards conspire to steal some of that low-end thunder.

Dude stays grinding, DJing constantly while managing to whip up fresh tracks and chunky mixes on the regular. I don’t know how he does it, but I’m happy to bear witness (and, on Monday, play host). If you haven’t been keeping up, go treat yourself to his summer mix for FACT magazine (which is no longer up at FACT but can be found around town). Or, if you’ve really been sleeping, go and DL his legendary set for Discobelle from last fall. It still holds up like a mofo, rare in an age of online DJ mixes for days and daze.

I guess I’ll have to hold off this Monday when it comes to playing a track like “Fogs,” which has insinuated itself into many recent sets of mine, leaving the man to his own oeuvre — all the better to hear how he sutures it to something else. The last time Kingdom came through — indeed, everytime — he played an impeccably bouncy, dark, deep mix of tunes, and the E Room felt like just the right setting. Come catch some feelings with us this time around.

Fogs by kkingdomm