Pacey Foster has a great post over at his blog detailing a recent discovery of — and creative engagement with — a 1914 book published by Vernon and Irene Castle, perhaps the premiere dancing couple in the pre-jazz age and crucial players in the formation of the “society” dance scene in NYC during the 1910s.
Go read the whole thing and feast your eyes in particular on the animated gifs Pace has constructed from the book’s plates, e.g.
I also like how Pace uses this (re)discovery and (re)animation to reflect on contemporary conversations about global flows of music and dance and (our?) cosmopolitan attachments to them:
From the Cortez, to the beautiful Tango to the Brazilian Maxixe, the Castles certainly seemed hip to the latest global dance trends. They even provide some historical guideposts. “The Tango is not, as commonly believed, of South American origin. It is an old gipsy dance which came to Argentina by way of Spain, where in all probability it became invested with certain features of the old Moorish dances”. What’s more, the first recording made by Europe’s Society Orchestra was the tune Maxixe (though it’s rarely included on Europe comps). I don’t know the story behind the selection of this Brazilian themed tune for the first song recorded by an African American band on a major label, but I’d love to hear it. In any event, with my pals tracking more recent/rapid diffusions of global dance/music trends, I love finding antique examples that seem so similar (if kind of slow mo) in their features.