July 29th, 2013

Old Money, New Fire

TUPAC MONEY

Old friends Old Money Massive have released the best damn rap album I’ve heard in lightyears.

Obvi, we’ve been fans at W&W since “African Kids” — and I’m happy to have had a little hand in bringing Old Money to Boston a couple times. They’ve been leaking flames in the form of tracks & videos for daze, but I’m beyond thrilled that they finally brought their bracing vision to the world in the shape of a restless but deeply coherent “mixtape” (along with assorted transmedia objects, as I’ll note below).

There’s a lot I could say about the sui generis afropessimystic futurism they’ve encrypted for this zipfile, but just go ahead and listen for yourself, and be sure not to skip the bumboclaat intro —

If you need a little more of a hermeneutical angle, their official bio offers hints —

Ahmad Julian and Andre Oswald are Old Money, a New York based rap, production and DJ duo of Jamaican and Guyanese origins. Their music incorporates the sounds of contemporary Africa such as UK Funky, Dancehall, Kwaito, Kuduro and Hip-Hop while remaining rooted in traditions of pan-African philosophy. In this way, their output remains dynamic and cutting-edge, while also taking on a mystical bend – influenced by fringe spiritual orders like the Nuwaubians, the Moors, NOI, and The 5 Percenters, as well as science fiction novels by author Octavia Butler.

But you can also get the gist from ish like this, the vivid video for “Rumble In Tenochtitlan” —

Very helpful and generous of the duo, their “Certified Space Trade Mix” — with matching Dr.Bronner’s inspired t-shirt! — provides a broader, and at once more specific, sense of the musical and philosophical background underpinning their sound:

Finally, a great interview over at Dazed Digital (including a brief, funny, and much appreciated shoutout to yours truly) offers further angles to consider while you nod along to the beats. Here’s the pulliest of pull quotes, a good glimpse into what shapes Old Money’s aesthetic —

Dazed Digital: You were brought up in the Bronx and Brooklyn. How did growing up in the boroughs of hip hop’s birth influence you?

Ahmad Julian: Tremendously, though I’d say it influenced us more so in the past than it does now, at least musically speaking. Of course, certain things stay with you – a certain awareness, a certain paranoia, how you carry yourself, sartorial choices, vernacular, etc. But at this point I’d say equally important as far as influence goes would be the internet and our travels, which have enabled us to connect dots where we might not have otherwise. All of this, hopefully, comes through in the music.

Fire in the dark, seen. Gwaan catch the spark already. Blackstar Galactica been boarding…

1 Comment Add your own

  • 1. wayneandwax.com » W&hellip  |  December 4th, 2013 at 2:31 pm

    […] a year with nuff great releases from smallbatch labels & independent artists (see: exhibits A, B, & C), John Wizards’ self-titled debut most captured my ears — and lent itself […]

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Wayne&Wax

I'm a techno-musicologist, internet annotator, imagined community organizer.

I left my <3 in the digital global, but I reside in Cambridge, MA, where I'm from.

I represent like that.

wayne at wayneandwax dot com

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