And I’m happy to report that, in fine Berkman tradition, the talk has already been blogged by some very astute observers of digital/internet culture:
- Jillian York offers an affirming precis here
- David Weinberger, author of Everything is Miscellaneous, live-blogged the talk in impressive detail, including the Q&A
- And I’m honored to get the EthanZ treatment over at his blog. As usual, Ethan does an excellent job distilling the central points of my talk, maybe even better than I did myself! I especially appreciate how he extends the conversation with some thoughts about the problems of hosting public culture on corporate platforms and with regard to music’s remarkable — perhaps even unique — mobility, and the implications thereof in the age of YouTube and global exchange. (I’m also grateful for this informative post on Dominican dembow he turned up!)
On the other hand, while I appreciate the genealogy, I must admit a certain unease about the parallels Ethan draws between my project and the preservationist ethnomusicology of the mid-20th-century. To be clear, while I’m sorry to see particular tracks and videos disappear, my concern is more with the sustainability of interactive structures for making and sharing music and dance, rather than with, say, making sure jerkin never dies. This is a crucial part of the distinction I seek to draw between what we might hear as a brave new world music, propelled by peer-level circulations, and the outmoded, hierarchically-curated sort of “world music” we still associate with that freighted misnomer.
Thanks again to all, and may the conversation continue!