like the moon
As I wrote back in 2011, If I were writing my mega-essay on reggaeton today, I’d want to make a lot more space for the Dominican Republic’s local take on the genre. And that has only gotten truer in the 8 years since, as Dominican dembow has continued to grow, change, and gather steam, including […]
Read More →Today is the final meeting of my last class at Harvard this year — and possibly my final class as a college-level instructor, but we’ll save that discussion for another day. For now, I’ll leave you with a few playlists I created in order to have some examples a click on during class. In short, […]
Read More →So, yeah. There’s rearing; and then there’s rearing — Slightly older kids, well enculturated & irrepressibly motivated, can tend to take things to the next level, bumping body parts with acrobatic abandon and lighting rooftops (and laptops) on fire — Devotees of dancehall reggae and reggaeton will no doubt recognize elements of perreo and daggering […]
Read More →Thanks to DJ Effresh for putting me on to yet another interesting instantiation of the “Lambada.” Here’s Vakero, one of the DR’s fiercest MCs, jumping on a dembow-influenced reworking of a truly perennial tune, as hashed out here, way back when — Discussing this over at my/our Buzz, Birdseed pointed out that there’s a recent […]
Read More →If I were writing my mega-essay on reggaeton today, I’d want to make a lot more space for the Dominican Republic’s local take on the genre. Generally referred to as dembow (rather than reggaeton) — or dembow dominicano, to signal a certain national(istic) distinction — the Dominican artists and producers working in the style essentially […]
Read More →Munchi follows up his moombahton splurge with some flashbacks — i totally forgot to send you some tracks i worked on in late 2009 that were bubbling but influenced by dominican music. like perico ripiao, bachata or dominican dembow. i had these finished but i was working on a whole concept thing there. Munchi – […]
Read More →a moomba, apparently — no relation to afrojack, i don’t think Reggaeton doesn’t die, it just continues to fragment and reconstitute in a thousand different ways. (Sorry about the passive language there — I don’t think reggaeton has viral/memetic agency, but I still find myself using that sort of shorthand/emphasis even when what I want […]
Read More →Sometimes it really does feel like I’m in Oz, some Wizard behind a curtain producing lifelike YouTubes of my swirling musical obsessions — or like that cartoon kid Simon for whom the things he drew came true ¡ via via via con dios !
Read More →Ok, back to reggaeton. So, once again, back to questions of vitality and vocality. Or, how it’s doing and for whom & from whence it speaks. one way of looking at the “reggaeton” “crash” (and recovery?) I was tickled to see Birdseed name reggaeton genre of the year for 2009, fully contra Gavin’s provocative post […]
Read More →I’ve been trying to get around to posting about Miti Miti, and since Geko Jones (notably, while making reference to the duo) and others have been wondering aloud again about the practice of global gobbledicrunk, while Kevin’s translating salsa songs & whatnot, today seems as good a day as any. Primero, I need to thank […]
Read More →now thats what i call enculturation — or as shatiie3456 says — AYY CO~OO PERO ESE Mii FUTURO MARiiDO HAHAHAH K LiiNDO BAiiLA ESE Nii~O TODO UN CUERiiTO MALOO BESHOO DiiOS LO BENDiiGA
Read More →Berkman Center pioneers steer the course of cyberspace – USATODAY.com gwaan charlie & co.! (tags: berkman harvard internet academia education activism charlie) DTLBASSTOWN.mp3 (audio/x-mpeg Object) crazed dance mix by dropthelime, as played recently @ basstown (tags: DJ mix mp3 house techno club remix boston) Energy Flash | Gas (director’s cut) simon reynolds on gas (wolfgang […]
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