Do note that we’ve added another DJ/producer to the line up: Blk.Adonis has been our guest at Beat Research before, but given that he’s a great admirer of Rashad and has been working to work juke & footwurk jams into his sets at Nu-Life and TRADE, it seemed like a fine bit of synergy to grow the bill a little more, even if it means less time for all of us (save Rashad, of course).
There’s a ton of great stuff happening this week in and around Boston, and I’ll direct you to a fine roundup put together by the Cluster Mag, our partner on Wednesday’s event. For my part, I’m going to have a hard time escaping the gravity of the Good Life, which is hosting dubstep trailblazer Mala on Friday and providing quite the “tropical” platform for Pico Picante — and many special guests — on Thursday night.
Speaking of the Pajaritos, they’re also responsible for organizing a panel discussion that I’ll be moderating on Friday. The panel brings together the stellar guests they’re bringing to town for Thursday, all of whom, as it happens, are utterly eloquent when it comes to the thorny problems and great possibilities of global / tropical / ghetto bass —
Discussing the panel last week with Ernesto Morales and Ricardo Delima, I told them that I was tempted to take their framing questions and add “besides Diplo” to them, as an attempt to get past the way that these panels tend to devolve into the same ol’ “What Should Diplo Do?” (WSDD) conversation — or as one attempt to sum up our similar panel at EMP put it, “whether we, as people who are interested in the history and origins of music, are okay with Diplo.”
Whether or not we’re ok with Diplo — whatever good that does “us” — there’s a great deal more to discuss about the phenomenon of what I’ve occasionally dubbed nu whirled music & global ghettotech than one guy’s outsize success. But then again, profiles like this one or recurring stories/critiques like this, conspire to create, as Ricardo tweeted, “diplo panic de hoy” (Diplo panic of the day). So I’m sure there will be no getting away from, as I like to think of him, the dinosaur in the room.
That said, I will do my job as moderator to steer us into perhaps less frequently chartered waters, and the panel’s focus on events really helps with this task. For one, it compels us to consider the local dynamics — as opposed to such abstractions as the global and appropriation and such — of putting on events that attempt to address a particular audience through the music & discourse of “tropical bass.” Here we get closer to what I’ve examined in the past as a form of neighborhood, and I could hardly think of better people to discuss such questions than Boima (w/r/t the Bay Area and New York), Poirier (re: Montreal), Ripley (Kingston, London, NYC), and Max and Jesse, both of whom are involved in longstanding musical-curatorial projects here in Boston and elsewhere.
I guess what I’m saying is, this should be worth tuning into (live stream!), especially if you spend a few of the next several nights enjoying some good ol’ bodily/social experience of these sounds and the scenes they call into being.