{"id":619,"date":"2008-10-20T09:18:11","date_gmt":"2008-10-20T14:18:11","guid":{"rendered":"http:\/\/wayneandwax.com\/?p=619"},"modified":"2015-01-07T14:06:01","modified_gmt":"2015-01-07T18:06:01","slug":"dance-culture-in-the-age-of-youtube","status":"publish","type":"post","link":"https:\/\/wayneandwax.com\/?p=619","title":{"rendered":"Dance Culture in the Age of YouTube"},"content":{"rendered":"<p>Since <a href=\"http:\/\/wayneandwax.com\/?p=601#comment-7109\">Curm asked some good questions<\/a> on my previous post about dance video and music culture, it seems I should share my abstract for the presentation I&#8217;ll be giving at this weekend&#8217;s <a href=\"http:\/\/www.indiana.edu\/~semhome\/2008\/index.shtml\">annual meeting of the Society for Ethnomusicology<\/a>, which follows from a similar curiosity (my own) about how current circumstances relate to historical patterns &#8212; not to mention how we might go about researching such matters. <\/p>\n<p>If I can get my ish together, I hope to make a video for this one too &#8212;<\/p>\n<blockquote><p>Music, Dance, and Ethnomusicology in the Age of YouTube<\/p>\n<p>By one recent estimate, YouTube consumed as much bandwidth in 2007 as<br \/>\nthe entire Internet in 2000. That&#8217;s a staggering figure, but what<br \/>\nshould be of special interest to ethnomusicologists is that so much of<br \/>\nthis activity is suffused with music. Indeed, the most viewed videos<br \/>\non YouTube are, far and away, musically mediated. Regional and<br \/>\n(trans)national dance crazes have proliferated thanks to the site, and<br \/>\nit might be said that YouTube bears witness to more individual and<br \/>\ncollective musical activity than any other single repository. It<br \/>\nperhaps goes without saying that music drives video culture. But in a<br \/>\nmoment when it may be more accurate to measure a song&#8217;s popularity by<br \/>\nits personalized instances on YouTube, we might well ask: Is music<br \/>\nculture being driven by video? What are the implications of this<br \/>\nshift? With regard to impact on musical practice, what are the<br \/>\nprevailing modes of representation (of self and other) on YouTube? As<br \/>\nresearchers, how do we navigate the inherent technological barriers,<br \/>\nmultimedia dimensions, intensely mediated identities, sophomoric<br \/>\ncomment threads, and privacy issues? Might YouTube users&#8217;<br \/>\nself-representation practices provide any models? Do avatars cast<br \/>\nshadows in the field? Considering several examples, with particular<br \/>\nreference to rise of do-it-yourself dance videos, this paper considers<br \/>\nvarious implications of the advent of online video for music<br \/>\nscholarship and music culture.<\/p><\/blockquote>\n<p>If anyone has any feedback wrt how one might begin attempting to put these recent developments into historical context, I&#8217;m all ears. It&#8217;s quite an interesting problem, I think: how do we compare the advent &#8212; nay, explosion? &#8212; of music\/dance culture on the tubes with good ol&#8217; meatspace\/realtime music\/dance culture? Obviously, they intertwine, but I think something profound is going on, and I&#8217;m not yet sure how to demonstrate that. Examples, sure, but comparisons?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since Curm asked some good questions on my previous post about dance video and music culture, it seems I should share my abstract for the presentation I&#8217;ll be giving at this weekend&#8217;s annual meeting of the Society for Ethnomusicology, which follows from a similar curiosity (my own) about how current circumstances relate to historical patterns [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[400,406,191,412,407],"class_list":["post-619","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-academic","tag-dance","tag-ethno","tag-internet","tag-video"],"_links":{"self":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=619"}],"version-history":[{"count":3,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/619\/revisions"}],"predecessor-version":[{"id":622,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/619\/revisions\/622"}],"wp:attachment":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}