{"id":601,"date":"2008-10-16T10:48:55","date_gmt":"2008-10-16T15:48:55","guid":{"rendered":"http:\/\/wayneandwax.com\/?p=601"},"modified":"2015-01-07T14:06:02","modified_gmt":"2015-01-07T18:06:02","slug":"just-may-be","status":"publish","type":"post","link":"https:\/\/wayneandwax.com\/?p=601","title":{"rendered":"Just May Be"},"content":{"rendered":"<p>I&#8217;ve been on a serious YouTube grind over the last couple weeks, working up a couple papers\/talks on black digital youth culture. Check the <a href=\"http:\/\/wayneandwax.com\/?page_id=183\">waxtube<\/a> or <a href=\"http:\/\/www.youtube.com\/profile_favorites?user=wayneandwax\">my favorites<\/a> to sink into a pixelated dance trance.<\/p>\n<p>Gave one version of this black-digi-youf chat a couple weeks ago at Harvard, which thx to a little <s>bird<\/s> tweet, led to <a href=\"http:\/\/www.chicagoreader.com\/features\/stories\/sharpdarts\/081016\/\">an exchange with Miles Raymer<\/a> in this week&#8217;s Chicago Reader. Check it out!<\/p>\n<p>&#8230;<\/p>\n<p>I&#8217;m trying to work up a YouTube version of my ideas about YouTube culture for this weekend&#8217;s meeting of the American Studies Association. But, man, my iMovie skills are laughable (or maybe it&#8217;s just that iMovie is laughable?). At any rate, I&#8217;ll share it here if I succeed in making something worth putting up. It&#8217;s not like the chicken-noodle-soup kids are sweating the transitions, so why should I?<\/p>\n<p>To give a clue of where I&#8217;m headed, here&#8217;s my abstract for ASA, followed by five videos set to <a href=\"http:\/\/www.imeem.com\/djlilred\/music\/L5V18NsH\/dj_nate_may_be_sum_daymix\/\">the DJ Nate track<\/a> that inspires my title (previously blogged <a href=\"http:\/\/wayneandwax.com\/?p=223\">here<\/a>), the illest juke waltz everrrr and a fairly abstract\/avant piece to propel so much funky movement &#8212;<\/p>\n<blockquote><p>\nMay Be Sum Day: Online Video, Self-Representation, and Peer-to-Peer<br \/>\nMusic Industry<\/p>\n<p>The recent integration of online video and social networking sites has<br \/>\ncreated an unprecedented arena for cultural production, exchange, and<br \/>\ndebate. Of particular significance is the emergence of do-it-yourself,<br \/>\npeer-to-peer video culture, which now animates a substantial degree of<br \/>\nthe activity on such popular sites as YouTube, MySpace, and imeem. The<br \/>\nadvent of socially-networked sites for sharing video and music among<br \/>\npeers seems to have facilitated a veritable efflorescence of<br \/>\nAfrican-American regional dance scenes and interregional rivalries and<br \/>\nexchanges (asynchronous and online as well as realtime and<br \/>\nface-to-face). Chicago juke, Detroit jit, Bay Area hyphy, and Harlem&#8217;s<br \/>\n&#8220;Chicken-Noodle Soup&#8221; all represent vibrant sites of practice and<br \/>\npride at a grassroots level, while successful figures such as Soulja<br \/>\nBoy Tellem (author of the &#8220;Crank Dat&#8221; craze) embody a new set of<br \/>\nopportunities and shared cultural reference points for tech-savvy<br \/>\nteenagers.<\/p>\n<p>The vitality of these scenes seems downright infectious &#8212; to borrow a<br \/>\nweighted, racy term long associated with the circulation of<br \/>\nAfrican-American music culture &#8212;  and as these homemade dance videos<br \/>\nfind themselves embedded not just on the MySpace pages of<br \/>\npractitioners&#8217; local and regional &#8220;friends&#8221; but on hipster blogs from<br \/>\nBrooklyn to Paris, we behold well-worn patterns of production and<br \/>\nconsumption. Hence, issues around race and representation emerge as<br \/>\ncentral in any analysis of the cultural significance of DIY, p2p<br \/>\nonline video. These representations are, however, often<br \/>\nself-representations, crafted and curated by active agents of their<br \/>\nown online avatars. So although the ability for these cultural<br \/>\nproducts to circulate outside their spheres of production &#8212; a process<br \/>\ninherent to the promiscuity of digital files &#8212; might raise flags of<br \/>\nsorts, it remains significant that the tools of production and<br \/>\ndistribution alike are now in the hands of teenagers in Chicago and<br \/>\nthe Cayman Islands (to name a couple case studies this paper will<br \/>\nconsider), rather than, as in the past, middle-aged executives in Los<br \/>\nAngeles and New York. Thus, the phenomenon of widely-distributed (or,<br \/>\nin p2p parlance, &#8220;shared&#8221;) music video represents a crossroads not<br \/>\njust for _the_ music industry, but for music _industry_ itself &#8212; that<br \/>\nis, the cultural work that music does. As online video increasingly<br \/>\ndrives popular and grassroots music culture, perhaps once again we<br \/>\nmust reappraise music&#8217;s place in the social sensorium in the wake of<br \/>\nseemingly seismic techno-cultural shifts.<\/p><\/blockquote>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/w--NAU8Ge80&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/w--NAU8Ge80&#038;hl=en&#038;fs=1\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/DHEpbLW1Bwo&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/DHEpbLW1Bwo&#038;hl=en&#038;fs=1\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/K4FvOUPCWSY&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/K4FvOUPCWSY&#038;hl=en&#038;fs=1\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/hh05XBZDbmc&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/hh05XBZDbmc&#038;hl=en&#038;fs=1\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/GiZYEo6NHdo&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/GiZYEo6NHdo&#038;hl=en&#038;fs=1\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n<p>Those last two are, in case you didn&#8217;t notice, pretty gay &#8212; raising yet another (<a href=\"http:\/\/wayneandwax.com\/?p=471\">familiar<\/a>) set of questions.<\/p>\n<p>Oh, and don&#8217;t miss these fragments of a footwork feature! (<a href=\"http:\/\/www.youtube.com\/watch?v=eJ4hss0etww\">part 1<\/a> | <a href=\"http:\/\/www.youtube.com\/watch?v=epYiTToX5aw\">part 2<\/a>)<\/p>\n<p>More soon &#8212;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve been on a serious YouTube grind over the last couple weeks, working up a couple papers\/talks on black digital youth culture. Check the waxtube or my favorites to sink into a pixelated dance trance. Gave one version of this black-digi-youf chat a couple weeks ago at Harvard, which thx to a little bird tweet, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[410,123,406,412,416,57,204,407],"class_list":["post-601","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-af-am","tag-chicago","tag-dance","tag-internet","tag-juke","tag-race","tag-sexuality","tag-video"],"_links":{"self":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=601"}],"version-history":[{"count":12,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/601\/revisions"}],"predecessor-version":[{"id":8451,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/601\/revisions\/8451"}],"wp:attachment":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=601"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}