{"id":5262,"date":"2011-03-04T12:59:36","date_gmt":"2011-03-04T16:59:36","guid":{"rendered":"http:\/\/wayneandwax.com\/?p=5262"},"modified":"2015-01-07T13:42:36","modified_gmt":"2015-01-07T17:42:36","slug":"global-forum-here-folks","status":"publish","type":"post","link":"https:\/\/wayneandwax.com\/?p=5262","title":{"rendered":"Global Forum Here Folks"},"content":{"rendered":"

Ok, I promise to quit kvetching about SoundCloud soon enough, but the material just keeps piling up. So permit me one more for now, a little ludic repair, if you will, courtesy of Carl Craig, rightly revered innovator of Detroit techno’s so-called “second wave.” (Here’s a recent interview<\/a> if you’ve got some catching up to do.) <\/p>\n


\n<\/p>\n

\nLike fellow Detroiter and techno trailblazer Kevin Saunderson (as recounted here<\/a>), Craig has taken to SoundCloud<\/a> to stage a playful response to his discovery that a classic production of his, an early 90s release under the pseudonym Paperclip People, had been “bootlegged” — i.e., edited and supposedly “mashed up” with another track, then released as an anonymous 12-inch (“Track 3” by “Unknown Artist”) with no attribution of the original. <\/p>\n

For the record (ahem), here’s a vinyl rip of a recent reissue of “Climax” on Craig’s label, Planet E.<\/p>\n