{"id":2716,"date":"2010-04-13T09:58:54","date_gmt":"2010-04-13T14:58:54","guid":{"rendered":"http:\/\/wayneandwax.com\/?p=2716"},"modified":"2015-01-07T13:52:00","modified_gmt":"2015-01-07T17:52:00","slug":"the-lion-seeps-tonight-riddim-meth0d-repost","status":"publish","type":"post","link":"https:\/\/wayneandwax.com\/?p=2716","title":{"rendered":"the lion seeps tonight (riddim meth0d repost)"},"content":{"rendered":"<p>[<em>Well, the <a href=\"http:\/\/riddimmethod.net\/\">Riddim Meth0d<\/a> domain has finally kicked the bucket, scattering our posts to the great <a href=\"http:\/\/web.archive.org\/web\/*\/http:\/\/riddimmethod.net\/\">Internet Archive<\/a> in the ether, or elsewhere. I&#8217;m going to <a href=\"http:\/\/wayneandwax.com\/?tag=riddimmeth0d\">continue rehashing here<\/a> certain posts that seem to merit the treatment. In that vein, here&#8217;s <a href=\"http:\/\/wayneandwax.com\/?p=2735\">another bit<\/a> of resurrected mashup poetics for you. I&#8217;m happy to report that the example below has found its way into <a href=\"http:\/\/wayneandwax.com\/?page_id=2744\">a chapter<\/a> I&#8217;m contributing to a forthcoming book, <em>Pop-Culture Tools for the Music Classroom<\/em>, edited by Nicole Biamonte. This was initially published on 13 April 2006.<\/em>]<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/wayneandwax.com\/riddimmeth0d\/riddim-meth0d-imgs\/linda_eveningbirds.jpg\"\/><\/p>\n<p>the story of solomon linda&#8217;s &#8220;mbube&#8221; (known to many more as the weaver&#8217;s &#8220;wimoweh&#8221; and the tokens&#8217; &#8220;the lion sleeps tonight&#8221;) is a tortuous one. <\/p>\n<p>recently, the <a href=\"http:\/\/www.cnn.com\/2006\/SHOWBIZ\/Music\/03\/22\/lion.sleeps.royalty.ap\/index.html\" target=\"_blank\">award of longstanding royalties<\/a> to the linda family and an <a href=\"http:\/\/www.nytimes.com\/2006\/03\/22\/international\/africa\/22lion.html?ex=1300683600&#038;en=9efc7b3de4e248d5&#038;ei=5090&#038;partner=rssuserland&#038;emc=rss\" target=\"_blank\">article in the NYT<\/a> has renewed interest in the story&#8217;s embodiment of issues of appropriation and just compensation. i&#8217;d also recommend reading <a href=\"http:\/\/www.3rdearmusic.com\/forum\/mbube2.html\" target=\"_blank\">rian malan&#8217;s rolling stone expos&eacute;<\/a>, which tells the story in no small detail, not afraid to name names and indict various actors. not everyone will agree with malan&#8217;s perspective (esp. re: pete seeger&#8217;s complicity), but the narrative arc malan traces certainly provokes a complex &#8211; and, one hopes, careful &#8211; consideration of all the problems swirling around this case.<\/p>\n<p>as a musical analog to these prose provocations, i decided to mashup <a href=\"http:\/\/fridayfishwrap.com\/?p=1108\" target=\"_blank\">four versions<\/a> of the tune: solomon linda&#8217;s 1939 original, the weavers&#8217; 1951 adaptation, yma sumac&#8217;s 1952 cover, and the tokens&#8217; 1961 smash hit. what i like about the mashup is that, as i&#8217;ve <a href=\"http:\/\/wayneandwax.com\/?p=2735\" target=\"_blank\">noted before<\/a>, it draws our attention to certain correspondences &#8211; and differences &#8211; in musical form and performance style. it shows us, for example, how seeger&#8217;s and the weavers&#8217; version is both faithful to and far from linda&#8217;s and the evening birds&#8217; performance. it does the same for the subsequent versions. (i was somewhat surprised, for instance, to discover that yma sumac&#8217;s version so closely followed the weavers&#8217; that it not only contained the same number of measures, but it also ended with a big brassy chord on measure 87! &#8211; a feature i have retained to end the mashup with the bombast it merits.) above all, i like the way the accretion of new versions in this mash seems to symbolize and embody the accretion of meanings, money, and &#8211; depending on where you stand &#8211; injustice that have piled up over time and over <a href=\"http:\/\/www.iancowley.co.uk\/w.shtml\" target=\"_blank\">dozens of repeat performances<\/a>. it&#8217;s a bit of a musical mess, which seems appropriate.<\/p>\n<p>i don&#8217;t want to say much more at this point, lest i forestall other interpretations. after all, as i attempted to argue last saturday, <a href=\"http:\/\/wayneandwax.blogspot.com\/2006\/04\/musically-expressed-ideas-about-music.html\" target=\"_blank\">musically-expressed ideas about music<\/a> should communicate, in some ways, more directly than speech about music. so i&#8217;ll leave you with the sounds and with a graphical representation of my edit(s). <\/p>\n<p><a href=\"http:\/\/wayneandwax.com\/riddimmeth0d\/wayneandwax_lion-seeps-tonight.mp3\" target=\"_blank\">wayne&#038;wax, &#8220;the lion seeps tonight&#8221;<\/a><br \/>\n[audio:http:\/\/wayneandwax.com\/riddimmeth0d\/wayneandwax_lion-seeps-tonight.mp3]<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/wayneandwax.com\/riddimmeth0d\/riddim-meth0d-imgs\/lion-seeps-tonight.JPG\"><\/p>\n<p>a technical note: among other manipulations, i have &#8220;warped&#8221; the songs so that their tempos match, i have pitched-up the tokens&#8217; version to bring it &#8211; more or less (i didn&#8217;t fuss with microtones) &#8211; in the same key as the others, and i have arranged the songs so that to a large extent their forms correspond (in order to highlight the similarities and differences via simultaneous performance). also, overall i have attempted &#8211; in something of a critical-creative move &#8211; to &#8220;discipline&#8221; the subsequent versions to the linda original, as a musical &#8220;corrective&#8221; of sorts, or a mashup intervention, if you will. such explicit &#8220;tampering&#8221; is intended to underscore that my approach here is ultimately more artistic than scientific.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Well, the Riddim Meth0d domain has finally kicked the bucket, scattering our posts to the great Internet Archive in the ether, or elsewhere. I&#8217;m going to continue rehashing here certain posts that seem to merit the treatment. In that vein, here&#8217;s another bit of resurrected mashup poetics for you. I&#8217;m happy to report that the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[413,141,191,23,143,298,90,66],"class_list":["post-2716","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-africa","tag-copywrong","tag-ethno","tag-mashup","tag-pop","tag-riddimmeth0d","tag-rock","tag-southafrica"],"_links":{"self":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/2716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2716"}],"version-history":[{"count":8,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/2716\/revisions"}],"predecessor-version":[{"id":8288,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/2716\/revisions\/8288"}],"wp:attachment":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}