{"id":24,"date":"2006-10-17T14:27:33","date_gmt":"2006-10-17T19:27:33","guid":{"rendered":"http:\/\/wayneandwax.com\/?p=24"},"modified":"2015-01-07T14:15:30","modified_gmt":"2015-01-07T18:15:30","slug":"textual-promiscuity-and-other-forbidden-delights","status":"publish","type":"post","link":"https:\/\/wayneandwax.com\/?p=24","title":{"rendered":"linkthink #426: Textual Promiscuity and Other Forbidden Delights"},"content":{"rendered":"<p>\/\/\/<\/p>\n<p>Go go text-sharing blogs: Greg Scruggs offers up <a href=\"http:\/\/beatdiaspora.blogspot.com\/2006\/10\/machine-gun-voices.html\">Paul Sneed&#8217;s&#8217;s doctoral thesis<\/a> on funky Rio.<\/p>\n<p>\/\/\/<\/p>\n<p><a href=\"http:\/\/keywords.oxus.net\/\">Kerim<\/a> argues for an <a href=\"http:\/\/wiki.oxus.net\/wiki\/Open_Source_Anthropology\">Open Source Anthro<\/a>, asking &#8220;Can the Subaltern Google?&#8221;<\/p>\n<p>\/\/\/<\/p>\n<p>While we&#8217;re at it, allow me to point you to an article I&#8217;ve got in a forthcoming &#8220;hip-hop issue&#8221; of <a href=\"http:\/\/www.press.jhu.edu\/journals\/callaloo\/\">Callaloo<\/a>: &#8220;Giving Up Hip-hop&#8217;s Firstborn: A Quest for the Real after the Death of Sampling&#8221; (<a href=\"http:\/\/wayneandwax.com\/academic\/marshall_callaloo_quest.pdf\">pdf<\/a>). It&#8217;s a recent rivisitation of an ol&#8217; master&#8217;s thesis spin-off (a revised chapter really &#8212; the other one&#8217;s on DJ Premier). Reading ?uestlove&#8217;s and the Roots&#8217; musical and extramusical gestures as producing a poetics of the &#8220;real,&#8221; I examine the effects of copyright law on hip-hop production in the late 90s and the investment of sampled sounds with authenticity. High hip-hop theory (or high theory hip-hop [or hip-hop theory high]), if you&#8217;re into that sort of thing. I try to keep it grounded in sound and sentiment, though, knamean?<\/p>\n<p>In addition to doing a close reading of ?uestlove&#8217;s &#8220;History of Sampling,&#8221; as published in <em>Rap Pages<\/em>, wherein the drummer slyly threads a consistent record of &#8220;trad&#8221; instrumental practice into and against the development of sample-based techniques, I attempt to explicate the musical poetics at work in the group&#8217;s invocations and reformations of hip-hop&#8217;s signpost features, focusing largely on Black Thought&#8217;s flow and ?uest&#8217;s drumming and timbral concerns. <\/p>\n<p>Take, for example, the following (loose) transcription of Black Thought&#8217;s flow on the first verse of &#8220;Concerto of the Desperado&#8221; (listen along and see what you think &#8212; rhymes are in bold, with internal rhymes italicized):<br \/>\n[audio:Roots-Concerto.mp3]<\/p>\n<p><a href=\"http:\/\/www.flickr.com\/photos\/wayneandwax\/262681264\/\"><img decoding=\"async\" src=\"http:\/\/static.flickr.com\/43\/262681264_fd51261e12_d.jpg\"><\/a> <\/p>\n<p>If you want to check out my analysis, peep <a href=\"http:\/\/wayneandwax.com\/academic\/marshall_callaloo_quest.pdf\">the paper<\/a> (esp pp. 12-6). And go ask for <a href=\"http:\/\/www.press.jhu.edu\/journals\/callaloo\/\">Callaloo<\/a> at your local library. And pick up a copy of <a href=\"http:\/\/www.amazon.com\/Illadelph-Halflife-Roots\/dp\/B000000OV7\">Illadelph Halflife<\/a> too for that matter.<\/p>\n<p>\/\/\/<\/p>\n<p>And what <a href=\"http:\/\/www.flickr.com\/photos\/wayneandwax\/267986417\/\">of new kickass<\/a>? A spam allegory, perhaps? Take it, Personal.<\/p>\n<p><a href=\"http:\/\/www.flickr.com\/photos\/wayneandwax\/267986417\/\"><img decoding=\"async\" src=\"http:\/\/static.flickr.com\/100\/267986417_708bc126ef_d.jpg\"><\/a><\/p>\n<p>\/\/ &#038;also \/\/<\/p>\n<p><a href=\"http:\/\/binworld.giantsound.net\/\">Gastro<em>sonic<\/em> Tourism<\/a>: See, Taste, and Hear Italy &#8212; and <a href=\"http:\/\/en.wikipedia.org\/wiki\/Binaural_recording\">Binaurally<\/a>, at that!!  (Such surreal soundtracking: the <a href=\"http:\/\/binworld.giantsound.net\/Pages\/Rome.html\">first Roman Recording<\/a> &#8212; skip down to Day One &#8212; picks up zooming taxis and a street band playing Piazzola.)<\/p>\n<p><a href=\"http:\/\/binworld.giantsound.net\/Pages\/Rome.html\"><img decoding=\"async\" src=\"http:\/\/binworld.giantsound.net\/Images\/DSCN0673.jpg\"><\/a><\/p>\n<p>For more in the food&#8217;n&#8217;sound bloggin&#8217; biz: see <a href=\"http:\/\/soulcocina.blogspot.com\/\">Soul Cocina<\/a> (as prev mentioned here), <a href=\"http:\/\/grubnoise.wordpress.com\/\">GrubNoise<\/a>, and <a href=\"http:\/\/fancytoast.blogspot.com\/\">FancyToast<\/a> (though that&#8217;s just a food blog, written by a musician).<\/p>\n<p>Mmm hmmm.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\/\/\/ Go go text-sharing blogs: Greg Scruggs offers up Paul Sneed&#8217;s&#8217;s doctoral thesis on funky Rio. \/\/\/ Kerim argues for an Open Source Anthro, asking &#8220;Can the Subaltern Google?&#8221; \/\/\/ While we&#8217;re at it, allow me to point you to an article I&#8217;ve got in a forthcoming &#8220;hip-hop issue&#8221; of Callaloo: &#8220;Giving Up Hip-hop&#8217;s Firstborn: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1,7],"tags":[400,28,39,85,404,423,24],"class_list":["post-24","post","type-post","status-publish","format-standard","hentry","category-academic","category-uncategorized","category-hip-hop","tag-academic","tag-anthro","tag-food","tag-funkcarioca","tag-hip-hop","tag-linkthink","tag-spampoem"],"_links":{"self":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/24","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24"}],"version-history":[{"count":1,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/24\/revisions"}],"predecessor-version":[{"id":8807,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/24\/revisions\/8807"}],"wp:attachment":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}