{"id":171,"date":"2007-08-16T11:31:14","date_gmt":"2007-08-16T16:31:14","guid":{"rendered":"http:\/\/wayneandwax.com\/?p=171"},"modified":"2015-01-07T14:12:08","modified_gmt":"2015-01-07T18:12:08","slug":"it-dont-stop","status":"publish","type":"post","link":"https:\/\/wayneandwax.com\/?p=171","title":{"rendered":"& It Don’t Stop…"},"content":{"rendered":"

Even in the middle (or, at this point, toward the end) of some well-needed Beach Research<\/a>, I’m happy to note that several dear interlocutors have been continuing the conversations here — and taking them in interesting directions. <\/p>\n

E.g., <\/p>\n

Raquel Rivera weighs in on “No Te Veo”<\/a> herself, making reference to the vivrant discussion<\/a> about it on this here humble blog (thx esp to Birdseed & Boima for keepin it going!).<\/p>\n

Oneleven, aka El Polaco Bombero<\/a>, riffs on “la voz laina”<\/a> in response to our discussion of nasal-tinged reggaetoneros, drawing on his longtime participant-observation in the diasporic bomba scene to offer some illuminating — if perhaps “poetic”? — insights. <\/p>\n

Guillaume de Masala lends his ears w\/r\/t that kuduro-esque kwaito jam<\/a> we were tryna grok collectively here not long ago; he also points to<\/a> a DJ Playero treasure trove<\/s> torrent<\/a>, which goes well w\/ \/rupture’s recent remarks re:<\/a> reggaeton antes de reggaeton.<\/p>\n

& there’s some percolating praggamatic chat<\/a> a gwaan tambien, tho I have to admit I’m surprised that that post hasn’t been more of a powder-keg for comments.<\/p>\n

As always, thanks to all for the further adventures in linkthink. More soon come. Now back to the beach…<\/p>\n","protected":false},"excerpt":{"rendered":"

Even in the middle (or, at this point, toward the end) of some well-needed Beach Research, I’m happy to note that several dear interlocutors have been continuing the conversations here — and taking them in interesting directions. E.g., Raquel Rivera weighs in on “No Te Veo” herself, making reference to the vivrant discussion about it […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,1,32,34,18,9],"tags":[401,415,10,417,408,405],"class_list":["post-171","post","type-post","status-publish","format-standard","hentry","category-blogging","category-uncategorized","category-kwaito","category-puertorico","category-reggae","category-reggaeton","tag-blogging","tag-kwaito","tag-latin","tag-puertorico","tag-reggae","tag-reggaeton"],"_links":{"self":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=171"}],"version-history":[{"count":1,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/171\/revisions"}],"predecessor-version":[{"id":8692,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/171\/revisions\/8692"}],"wp:attachment":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}