{"id":1313,"date":"2009-01-24T11:02:40","date_gmt":"2009-01-24T16:02:40","guid":{"rendered":"http:\/\/wayneandwax.com\/?p=1313"},"modified":"2015-01-07T14:03:31","modified_gmt":"2015-01-07T18:03:31","slug":"escape-from-parochial-mountain","status":"publish","type":"post","link":"https:\/\/wayneandwax.com\/?p=1313","title":{"rendered":"Modern Ancient African Music"},"content":{"rendered":"<p>Since the <a href=\"http:\/\/downwithtunes.blogspot.com\/2009\/01\/in-defense-of-copycat.html\">conversation continues<\/a> about <a href=\"http:\/\/wayneandwax.com\/?p=1184\">trad v modern<\/a> in African music, and since we read something germane about it for class yesterday, and since I&#8217;m still tryna maintain that pdf-blog grind, I thought I&#8217;d take the opportunity to share another:<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;>><strong> <a href=\"http:\/\/wayneandwax.com\/pdfs\/monson_riffs-repetition.pdf\">Monson, Ingrid. \u201cRiffs, Repetition, and Theories of Globalization.\u201d Ethnomusicology 43,<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;no. 1 (1999): 31-65.<\/a><\/strong><\/p>\n<p>Now, I don&#8217;t recommend the whole article; rather, I recommend skipping to p.52 and starting from there. Frankly, I find the part about globalization theory and riffs and Count Basie uncompelling and confusing (as did my students), but I do like the way that Monson zeroes in on some of the contradictions and challenges African musicians have faced working in the &#8220;world&#8221; industry. <\/p>\n<p>Noting, for example, that Baaba Maal&#8217;s <em><a href=\"http:\/\/www.amazon.com\/Firin-Fouta-Baaba-Maal\/dp\/B000003QLM\">Firin in Fouta<\/a><\/em> (1994) was received ambivalently by the &#8220;world music&#8221; market because of its incorporation of funk, reggae, hip-hop, &#8220;techno&#8221; (don&#8217;t know why Monson and <a href=\"http:\/\/www.afropop.org\/explore\/album_review\/ID\/156\/Firin%20In%20Fouta\">Eyre<\/a> call it that &#8212; sounds much more like house to me) and other Afrodiasporic\/&#8221;Western&#8221; genres, Monson examines some of the reasons behind Maal&#8217;s aesthetic choices and why they fell flat for certain audiences: <\/p>\n<blockquote><p><a href=\"http:\/\/www.flickr.com\/photos\/wayneandwax\/3222035149\/\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/farm4.static.flickr.com\/3260\/3222035149_dddf03c380_d.jpg\"><\/a><br \/>\n<a href=\"http:\/\/www.flickr.com\/photos\/wayneandwax\/3222888872\/in\/photostream\"><img decoding=\"async\" src=\"http:\/\/farm4.static.flickr.com\/3130\/3222888872_5b682c392c_d.jpg\"><\/a>\n<\/p><\/blockquote>\n<p>Taking Baaba Maal&#8217;s words at face value, here&#8217;s some modern <a href=\"http:\/\/www.youtube.com\/watch?v=2rs8AsLctHc\">&#8220;ancient African music&#8221;<\/a> &#8212; i.e., early 90s dancehall reggae. (I&#8217;d embed it here, but that&#8217;s been disabled by the rotting corpse known as <a href=\"http:\/\/www.youtube.com\/user\/universalmusicgroup\">universalmusicgroup<\/a> &#8212; ah, industry so savvy.)<\/p>\n<p>Actually, here it is via imeem &#8212;<\/p>\n<p>[<strong>update 2\/3\/10<\/strong>: haha, so much for the imeem link, which disappeared after MySpace acquired and nuked the site; I guess no one wants people to hear Baaba Maal at w&#038;w. sorry folks, you&#8217;ll have to hunt it down elsewhere.] <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since the conversation continues about trad v modern in African music, and since we read something germane about it for class yesterday, and since I&#8217;m still tryna maintain that pdf-blog grind, I thought I&#8217;d take the opportunity to share another: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;>> Monson, Ingrid. \u201cRiffs, Repetition, and Theories of Globalization.\u201d Ethnomusicology 43, &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;no. 1 (1999): 31-65. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[400,413,191,272,408,407,249],"class_list":["post-1313","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-academic","tag-africa","tag-ethno","tag-pdf","tag-reggae","tag-video","tag-worldmusic"],"_links":{"self":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/1313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1313"}],"version-history":[{"count":16,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/1313\/revisions"}],"predecessor-version":[{"id":8398,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/posts\/1313\/revisions\/8398"}],"wp:attachment":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}