{"id":10,"date":"2006-06-26T17:56:38","date_gmt":"2006-06-26T21:56:38","guid":{"rendered":"http:\/\/wayneandwax.com\/wp\/?page_id=10"},"modified":"2021-04-01T14:20:28","modified_gmt":"2021-04-01T18:20:28","slug":"academic-writing","status":"publish","type":"page","link":"https:\/\/wayneandwax.com\/?page_id=10","title":{"rendered":"Ethnomusicology"},"content":{"rendered":"

\"REGGAETON\"<\/a>
\nOur Book!<\/strong><\/span><\/p>\n

Reggaeton<\/em><\/a>. With Raquel Z. Rivera & Deborah Pacini Hernandez. Durham: Duke University Press, 2009.<\/span><\/p>\n

Articles<\/strong><\/span>
\n
\n“Ragtime Country: Rhythmically Recovering Country’s Black Heritage<\/a>.” Journal of Popular Music Studies<\/em> 32, no. 2 (2020): 50-62.<\/p>\n

“Social Dance in the Age of (Anti-)Social Media: Fortnite<\/em>, Online Video, and the Jook at a Virtual Crossroads<\/a>.” Journal of Popular Music Studies<\/em> 31, no. 4 (2019): 3-15.<\/p>\n

“Hip-hop\u2019s Irrepressible Refashionability<\/a>.” In The Cultural Matrix: Understanding Black Youth<\/em>, ed. by Orlando Patterson, 167-97. Cambridge: Harvard University Press, 2015.<\/p>\n

“Tales of the Tape: Cassette Culture, Community Radio, and the Birth of Rap Music in Boston<\/a>.” With Pacey Foster. Creative Industries Journal<\/em> 8, no. 2 (2015): 164-76.<\/p>\n

“Treble Culture<\/a>.” In The Oxford Handbook of Mobile Music Studies<\/em>, Vol. 2, eds. Sumanth Gopinath and Jason Stanyek, 43-76. New York: Oxford University Press, 2014.<\/p>\n

“Hearing Raggamuffin Hip-hop: Musical Records as Historical Record<\/a>.” With Pacey Foster. IASPM-US \/ Ethnomusicology Review<\/em>, 2 October 2013.<\/p>\n

“It Takes a Little Lawsuit: The Flowering Garden of Bollywood Exoticism in the Age of its Technological Reproducibility<\/a>.” With Jayson Beaster-Jones. South Asian Popular Culture<\/em> 10, no. 3 (2012): 1-12.<\/p>\n

“Mashup Poetics as Pedagogical Practice<\/a>.” In Pop-Culture Pedagogy in the Music Classroom: Teaching Tools from American Idol to YouTube<\/em>, ed. Nicole Biamonte, 307-15. Scarecrow Press, 2010.<\/p>\n

“From M\u00fasica Negra to Reggaeton Latino: The Cultural Politics of Nation, Migration, and Commercialization<\/a>.” In Reggaeton<\/em>, ed. Raquel Z. Rivera, Wayne Marshall, and Deborah Pacini-Hernandez, 19-76. Durham: Duke University Press, 2009.<\/p>\n

“Dem Bow, Dembow, Dembo: Translation and Transnation in Reggaeton<\/a>.” Lied und popul\u00e4re Kultur \/ Song and Popular Culture: Jahrbuch des Deutschen Volksliedarchivs<\/em> 53 (2008): 131-51.<\/p>\n

“Kool Herc<\/a>.” In Icons of Hip Hop: An Encyclopedia of the Movement, Music, and Culture<\/em>, ed. Mickey Hess, 1-26. Westport, CT: Greenwood, 2007.<\/p>\n

“Giving Up Hip-hop’s Firstborn: A Quest for the Real after the Death of Sampling<\/a>.” Callaloo<\/em> 29, no. 3 (2006): 868-892.<\/p>\n

“The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall<\/a>.” With Peter Manuel. Popular Music<\/em> 25, no. 3 (2006): 447-70.<\/p>\n

“Bling-bling for Rastafari: How Jamaicans Deal with Hip-hop<\/a>.” Social and Economic Studies<\/em> 55, no. 1&2 (2006): 49-74.<\/p>\n

“Hearing Hip-hop’s Jamaican Accent<\/a>.” Institute for Studies in American Music Newsletter<\/em> 34, no. 2 (2005): 8-9, 14-15.<\/span><\/p>\n

Conference Papers<\/strong><\/span><\/p>\n

“Follow Me Now: The Zigzagging Zunguzung Meme<\/a>.” Annual Meeting of the International Association for the Study of Popular Music (US branch), Boston, 28 April \/ Experience Music Project, Seattle, 20 April 2007.<\/p>\n

“Musically Expressed Ideas About Music: Techniques and Technologies for Performing Ethnomusicology in the Digital Age<\/a>.” Annual Meeting of the Northeast Chapter of the Society for Ethnomusicology, Trinity College, 8 April 2006.
\n<\/span><\/p>\n

Book Reviews<\/strong><\/span>
\n
\nLouis Chude-Sokei, The Sound of Culture: Diaspora and Black Technopoetics<\/em><\/a>. Small Axe<\/em> 55, no. 3 (2018): 172-80.<\/p>\n

Mark Katz, Groove Music<\/em><\/a>. Journal of Popular Music Studies<\/em> 26, no. 1 (2014): 200-03.<\/p>\n

Adam Bradley and Andrew DuBois, The Anthology of Rap<\/em><\/a>. Journal of Popular Music Studies<\/em> 23, no. 2 (2011): 190-4.<\/p>\n

Dave Tompkins, How to Wreck a Nice Beach: The Vocoder from World War II to Hip-Hop<\/em> and Steve Goodman, Sonic Warfare: Sound, Affect, and the Ecology of Fear<\/em><\/a>. Current Musicology<\/em> 90 (Fall 2009): 93-103.<\/p>\n

Mark Butler, Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music<\/em><\/a>. Music Theory Spectrum<\/em> 31 (2009): 192-99.<\/p>\n

Michael Veal, Dub: Soundscapes & Shattered Songs in Jamaican Reggae<\/em><\/a>. Latin American Music Review<\/em> 30, no. 2 (2009): 145-51.<\/p>\n

Deborah A. Thomas, Modern Blackness: Nationalism, Globalization, and the Politics of Culture in Jamaica<\/em><\/a>. Interventions: International Journal of Postcolonial Studies<\/em> 7, no. 2 (2005): 270-2.<\/p>\n

Louise Meintjes, Sound of Africa!: Making Music Zulu in a South African Studio<\/em><\/a>. World of Music<\/em> 46, no. 1 (2004): 145-52.<\/span><\/p>\n

Dissertation<\/strong><\/span>
\n
\nRoutes, Rap, Reggae: Hearing the Histories of Hip-hop and Reggae Together<\/em><\/a>. Ph.D., University of Wisconsin-Madison, 2006.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Our Book! Reggaeton. With Raquel Z. Rivera & Deborah Pacini Hernandez. Durham: Duke University Press, 2009. Articles “Ragtime Country: Rhythmically Recovering Country’s Black Heritage.” Journal of Popular Music Studies 32, no. 2 (2020): 50-62. “Social Dance in the Age of (Anti-)Social Media: Fortnite, Online Video, and the Jook at a Virtual Crossroads.” Journal of Popular […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":8,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10"}],"version-history":[{"count":31,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":9673,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/pages\/10\/revisions\/9673"}],"up":[{"embeddable":true,"href":"https:\/\/wayneandwax.com\/index.php?rest_route=\/wp\/v2\/pages\/8"}],"wp:attachment":[{"href":"https:\/\/wayneandwax.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}