Archive of posts tagged with "gigs"

April 13th, 2012

Technomusicologically Speaking

I’ll be talking twice in the next two days about a thing I’ve been calling technomusicology.

avs media demo watermarks, visualized

If in a previous moment bi-musicality represented cutting edge musicological literacy, today’s tech-suffused world would seem to call for the development of something akin to technomusicology — which might also include a sort of technomusicality.

Aside from bringing into conversation work that focuses on the entanglements of music and technology, a crucial dimension of technomusicology — at least as I’m proposing — should also entail exploring new modes of tech-assisted research and publication (and obviously I’m thinking in terms of digital and networked tech at this point).

Indeed, I’m currently developing a course called “Technomusicology” for the fall. Beginning by reading across the growing lit that attends to music in the age of its technological reproducibility (Lysloff & Gay, Meintjes, Katz, Suisman, Sterne, et al.), in the second half of the course we will appraise and attempt a variety of new forms and practices — mashups and remixes, DJ-style mixes and audio & video collages, multimedia storytelling, archival representation — as potential openings for new directions in music scholarship, with a final project that engages some new form and aims for publication in range of new venues for such work. More about that in a few!

Anyway, if you want to hear more — literally! — and you’re in New England, you’ll have two chances in the next couple of days, beginning this afternoon! (Pardon the late notice. It’s been a busy month.) Here’s the deets:

>> TODAY!!! Friday, April 13, 4pm :: Marlboro College

My talk today is entitled “Technomusicology” and I’ll be discussing the practice as both musicological and creative endeavor, demonstrating and explicating a number of projects in this vein. Thanks much to Matan Rubinstein for the invitation.

>> TOMORROW: Saturday, April 14, 2:30pm :: NECSEM @ Tufts University

Here I’m giving a brief presentation as part of a roundtable discussion called “Ethno Tech Talk” alongside the venerable David Locke and Eric Galm. I like that the title evokes the somewhat horrid 90s phenom “ethnotechno,” but I believe we’ll mainly be talking about pedagogical strategies — the subtitle is “A Conversation about Applied Technology within Ethnomusicology” — and I don’t think anyone is going to mention Enigma or Deep Forest (though now I’m tempted to).

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April 2nd, 2012

Let’s Werk Together

Ok, y’all, the week of Together is finally here, and we couldn’t be more amped for Wednesday’s event:


Do note that we’ve added another DJ/producer to the line up: Blk.Adonis has been our guest at Beat Research before, but given that he’s a great admirer of Rashad and has been working to work juke & footwurk jams into his sets at Nu-Life and TRADE, it seemed like a fine bit of synergy to grow the bill a little more, even if it means less time for all of us (save Rashad, of course).

There’s a ton of great stuff happening this week in and around Boston, and I’ll direct you to a fine roundup put together by the Cluster Mag, our partner on Wednesday’s event. For my part, I’m going to have a hard time escaping the gravity of the Good Life, which is hosting dubstep trailblazer Mala on Friday and providing quite the “tropical” platform for Pico Picante — and many special guests — on Thursday night.

Speaking of the Pajaritos, they’re also responsible for organizing a panel discussion that I’ll be moderating on Friday. The panel brings together the stellar guests they’re bringing to town for Thursday, all of whom, as it happens, are utterly eloquent when it comes to the thorny problems and great possibilities of global / tropical / ghetto bass —

pico picante panel

Discussing the panel last week with Ernesto Morales and Ricardo Delima, I told them that I was tempted to take their framing questions and add “besides Diplo” to them, as an attempt to get past the way that these panels tend to devolve into the same ol’ “What Should Diplo Do?” (WSDD) conversation — or as one attempt to sum up our similar panel at EMP put it, “whether we, as people who are interested in the history and origins of music, are okay with Diplo.”

Whether or not we’re ok with Diplo — whatever good that does “us” — there’s a great deal more to discuss about the phenomenon of what I’ve occasionally dubbed nu whirled music & global ghettotech than one guy’s outsize success. But then again, profiles like this one or recurring stories/critiques like this, conspire to create, as Ricardo tweeted, “diplo panic de hoy” (Diplo panic of the day). So I’m sure there will be no getting away from, as I like to think of him, the dinosaur in the room.

That said, I will do my job as moderator to steer us into perhaps less frequently chartered waters, and the panel’s focus on events really helps with this task. For one, it compels us to consider the local dynamics — as opposed to such abstractions as the global and appropriation and such — of putting on events that attempt to address a particular audience through the music & discourse of “tropical bass.” Here we get closer to what I’ve examined in the past as a form of neighborhood, and I could hardly think of better people to discuss such questions than Boima (w/r/t the Bay Area and New York), Poirier (re: Montreal), Ripley (Kingston, London, NYC), and Max and Jesse, both of whom are involved in longstanding musical-curatorial projects here in Boston and elsewhere.

I guess what I’m saying is, this should be worth tuning into (live stream!), especially if you spend a few of the next several nights enjoying some good ol’ bodily/social experience of these sounds and the scenes they call into being.

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March 27th, 2012

Sustained Bea(s)t Mode

Beat Research looks to remain in high gear (with more low end than ever!) for the rest of the spring, maintaining our beast mode pace with some BIG guests coming thru over the next month or two.

Among others, as I’ll detail below, our spring line-up will include such wreck-shopping luminaries as Chicago juke alchemist DJ Rashad (4/4), veteran (and still #1) Boston reggae selector Junior Rodigan (4/17), and NYC bhangra ambassador DJ Rekha (5/1). We’ve been wanting to get all three of these masters of their craft to BR for a while, and I almost can’t believe it’s all going down in the next five weeks. Do help us set the experimental-party off if you’re in the area.

First, don’t forget that we’ve got the mighty Chief Boima in the house tonight, March 28! Check out this awfully nice post he put up for some context. Suffice to say, we’re just as happy to give the man a well-deserved platform. (And maybe to claim “First!“) I’m definitely a what-goes-around type of guy, and so I couldn’t be more pleased that Boima will also be giving a lecture in my global hip-hop class at Brandeis tomorrow night. He spent some time in Liberia last year, and I’m looking forward to hearing more about such thorny but important questions as how to ethically endeavor to play musical middleman.

Here’s something toward what it sounds like maybe —

Let me remind that Boima’s got a new release out on Dutty Artz called African in New York, which is great. But if you come to the club tonight, you not only get to hear tracks like those, you get to hear lots of other stuff they’re webbed up with in Boima’s memory (and his hard drive’s).

Wednesday, April 4 – DJ Rashad & Kat Fyte

In conjunction with the good people at Cluster Mag, and the Together Fest, we’re doing two things we don’t usually do: we’re conducting Beat Research on a Wednesday, and we’re asking for a modest $5 at the door. But, boy, what we have in store.

We’re enthused to report that our guest for the Fest will be DJ Rashad, one of the biggest players in the Chicago juke/footwork scene, especially with regard to its movement in the wider world — thanks in no small part to his releases on Planet Mu.

I can’t wait to hear Rashad at the Good Life. Those sustained 808 tones and insane tom rolls are gonna bang through that system. It may be the first time I’ll come close to hearing/feeling what they should really hear/feel like. But beyond the 808 wizardry, Rashad’s stuff also stands out with its fine ear for all sorts of samples, especially the sort of jazzy sources that once bedeviled many a hip-hop producer. He and his comrade DJ Spinn are quite the connoisseurs of the sample-flip (<3 the Edo G shout). Here's a taste (lots more here), where you can hear why London lads could lose their shit over this Chicago-bred style that creeps up on drum’n’bass without even meaning to —

And to top things off, erstwhile/occasional/forever Bostonian and all-around force of awesome, Max Pearl (aka Kat Fyte), will help us get things started right.

Tuesday, April 10 – Brian Coleman & Pacey Foster

We’re keeping it extra local this week with two DJs who together can cover much of this town’s illustrious musical history, from electro to rock to hip-hop and much else between and beyond. Longtime friends of Beat Research Pacey Foster and Brian Coleman have promised to “dig in their Boston crates and pull out cuts from all eras and genres (with the exception of experimental country-western from Metro West).” At times, it could sound like this —

Or this —

Tuesday, April 17 – Junior Rodigan & Irie La

Our big guest on April 17 should need no introduction, in Boston or beyond, but he sure deserves one. Taking his name from the legendary David “Ram Jam” Rodigan (aka Father Rodigan), Junior Rodigan moved to London from Iran as a kid and became totally enraptured by his namesake’s radio show, which gave him quite an education in reggae during his formative years. He moved to Boston as a young adult, and started rocking parties around town beginning in 1986, steadily building a solid rep.

For a short time in the early 90s Junior worked as a ragga-hiphop vocalist, recording for New York and Boston-based labels, and he owned and operated his own reggae store, Vibes Records, on Blue Hill Ave for more than a decade. Since the late 90s, he’s devoted nearly all his time to DJing, and these days he’s known as the drive-time DJ on Big City FM, Boston’s premiere Caribbean community radio station. Junior’s a longtime point-man for nuff visiting artists from Jamaica, with whom he has some serious rapport (see, e.g., 2min in: “me wan some original old time medley right now!”). Man talk the talk, seen.

Of course, Junior is a master of up-to-the-time chunes and classic catalogue numbers alike. For his special appearance at Beat Research, he’s going to do something he rarely gets to do on the radio or at gigs and dig into his deep crates in order to play cuts exclusively drawn from the foundation labels, Studio One and Treasure Isle, on which so much subsequent reggae is based. It’s bound to be a serious vibes. Once again, a great opportunity to experience this music as it was intended to be: as palpable, vibrational force.

This is quite a historic month for Junior, as it happens: just a couple nights earlier, on April 15, he’ll be holding a 25th anniversary bash at the Russell Auditorium featuring Stone Love & Steelie Bashment. If I were you — indeed, if I were me (which I am) — I’d want to catch both these events.

For now, though — since I gotta get running over to the club to warm things up for Boima — I’ll leave you with this amazing but tantalizingly brief clip of Junior Rodigan in ragga-rapper mode, amping up the crowd during RSO’s opening act for Naughty By Nature’s Boston debut way back in 1991. Unfuckwithable–

Oh, and we’re gonna have the added support of another DJ who’s held the torch for reggae here in Boston: Selectress Irie-La. It’s gonna be quite a night, fi true.

So yeah, a seriously fun month+ ahead. Do join us! More info will follow.

to be continued…

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February 21st, 2012

Beat Research Turns 8 and Goes Beast Mode

It’s a little astounding that this March marks 8 years of Beat Research. In celebration, we’ve managed to line up quite a month+ of very exciting guests, from locally beloved to internationally renowned. Indeed, the next 6 sessions will feature no fewer than 3 local DJs, 3 acts from NYC, and a couple exciting visitors from across the pond — Rotterdam and Oslo, to be exact.

If you’re a Greater Bostonian, get ready to mark your calendars & experiment with party music that will boggle your behind and make your mind wiggle. Without further ado, check the crew coming thru —

Tuesday, Feb 21: Teleseen

teleseen @ beat research

Tonight we’re happy to present the return of Teleseen, up from Brooklyn (and until very recently, Rio). Given his dubby priorities, the Goodlife‘s subby system should suit. Teleseen put out an EP last year, Mandrake, full of woozy thumpers, and his remix of Maga Bo’s “Ransom” is a fixture in my sets when I’m in search of a little uneasy skanking. Last time Teleseen came through town he was working up a version of what finally became available (to all) as “Embarak,” which is good, because it meant I could stop asking him for it. Should be a vibes —

Tuesday, Feb 28: Munchi & Oxycontinental

We’re very pleased to announce that Beat Research will be hosting the Boston premiere of mighty Munchi! If you aren’t familiar with the moombahton wunderkind from Rotterdam, well, you haven’t been reading this blog, for one (or three or four). And you’ve clearly found other holes to stick your head down. Because Munchi — and moombahton — have totally been blowing up, turbo-boosted by the likes of Diplo and Mad Decent, Skrillex, and MTViggy.

W&W is proud to be a longtime champion of the kid (if not quite as early as Quam), so I was happy to oblige when Munchi asked me to pen the release notes for his upcoming EP for Mad Decent (dropping any day now), which rounds up what have now become classics of the young genre. I’ve seen Munchi live before, and it promises to be a blast. And as a special bonus, helping to warm things up with us will be a fine local stoker of fire: Oxycontinental, the party personaje of Jamaica Plains’ own Ricardo Delima.

Here’s an old, odd fave from Munchi that I still work into sets from time to time —

Tuesday, March 6: Old Money Massive

I can’t quite believe that the following week we again have the honor of hosting the local debut of a well renowned crew, Old Money Massive, straight outta NYC by way of Jamaica and Guyana. Readers of this blog should definitely be familiar with Old Money’s grimey, edgy take on so-called “global bass.” I still count “African Kids” as the unofficial (and reluctant / ironic) anthem of global ghettotech — that’s the dark twin of global bass, if you’re tuning in late.

So I couldn’t be happier that Old Money will be coming up to Boston — but not on a dollar van, I don’t think — to throw down a live performance and a DJ-style set. These guys deserve a lot more props for the special sound and fury they’re developing down there. We’re thrilled to share our humble but bassful platform, to be sure. For a taste of what’s in store, check out their debut EP, No.1 Champion Sound, over at iTunes. Or check the latest latest, posted to Soundcloud just two days ago —

Tuesday, March 13: DJ Day-Glo

Shorty is an iPod dancer.

Now, even though we’re so lucky as to be able to give space to illustrious out-of-town acts, Beat Research always holds it down for up-and-comers and loco locals of all sorts. On March 13, DJ Flack and I will be joined by a former student in Flack’s Beat Research class at MassArt: Kara Stokowsky, aka DJ Day-Glo, a JP-based multimedia artist whose work, according to her UNFINISHED WEBSITE, “tackles feminism, pop culture, memetics, religion, and technology with a fast-paced glitch aesthetic.” I suspect her current tumblr is a better indication of what you might hear than her slightly sparse and outdated Soundcloud. But do browse around, or just come on by.

Tues, March 20: DJ Super Squirrel

On March 20, we’ve got Cambridge’s own DJ Super Squirrel, an ethnomusicolleague and, in her own words, “Paper-writer, tiny-dancer, jargon-user, eight-armed DJ.” Her recent “Scamphall” mix — a little like a GirlTalk cookdown of upbeat reggae — has me looking forward to whatever else she might stew together that night:

Tuesday, March 27: Chief Boima

Finally, but hardly last, rounding out the month of March is none other than chief rocka Chief Boima. A longtime friend of W&W and Beat Research (not to brag or anything), Boima has really been picking things up since he relocated from the Bay to BK, including beginning grad studies at the New School, writing provocative and thoughtful pieces for Africa Is a Country and Cluster Mag, DJing all around town, and now, as of today, releasing his second album through Dutty Artz, African in New York. I’ve been playing Boima’s hip-hop remixes of African dance jams and African dance remixes of hip-hop jams for some years now, and it’s always a delight to hear the man doing it himself in the mix.

And while this may cap things off for Beat Research in March, it’s only the beginning of what is shaping up to be an exceptional year. We’re grateful to have the opportunity to put our thing and our friends on each week, and grateful for all the support, especially — when it comes down to it — to the people who put their bodies in the club and their feet on the floor. Happy 8 — here’s to many more!

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October 26th, 2011

Beat Research Relaunch!


It’s been quite a year for Beat Research. At the same time that we struggled to maintain our modest but ambitious weekly, we’ve also had what feels like one of our best years yet. Even during the summer, when Cambridge seems to clear out, full-on dance parties would erupt on the regular, which is no small thing on a Monday night in this town.

Then, right after one of our best nights of the year — when Mungo’s Hi-Fi rocked the joint earlier this month — rumors started to fly about the Enormous Room closing the following weekend. So while we weren’t aware that the night before had been our last jam in that not-so-enormous room, we were content to have gone out with a bang. And we were delighted to find a spot for last week’s interim bash with Venus X and Hatsune Miku, which was a standout session in its own right. Experimental party music at its best. (A few attendees called it their favorite BR of all time; I can understand why.)

Given that things have been going well, Tony Flack and I are stoked to announce that we’ve found a new home for our night — and a new night of the week too, incidentally. Beginning on Nov 8, we’ll be in residency every Tuesday night at the Good Life, smack in the heart of downtown Boston. If you haven’t been there, it’s very close to the Downtown Crossing T stop and just a couple blocks from South Station / Occupy Boston (in case any Occupiers are looking for a drink and a little bass therapy). We look forward to being closer to our Boston brethren & sistren — and to really representing (it’s all too common to claim Boston without being in Boston) — and we sure hope our core crew from Cambridge, Somerville, and elsewhere across the dutty water will be up for the trek. We aim to make it worthwhile.

For those who’ve been there, you know that the Good Life has a SERIOUS sound system. I’ve seen (& heard & felt) some real bass materialists there, from Kode9 to Mad Professor to the Bug — just last month I caught a wicked subwoofer massage c/o Kingdom — and I can report from personal vibrational experience (PVE, henceforth) that Beat Research’s bass bias will assume a new prominence starting soon.

I’m also thrilled to report that we’re getting the Beat Research gang together for the relaunch event on Nov 8. Co-founder of the night and longtime torch-bearer for bouncy Boston, the mighty DJ C, will be coming back from Chicago to bust a champagne-bottle of a set against our Old Ironsides of a party. I’ll be mixing the metaphors and letting the bartenders mix the drinks. I’ll also be playing some tracks of course, as will the venerable Dr.Flackett.

Here’s the story in press-release-ese —

Beat Research began weekly explorations of experimental party music in March 2004 at the Enormous Room in Central Square. The brainchild of multimedia artists Jake Trussell (DJ C) and Antony Flackett (DJ Flack), who teaches a hands-on class at MassArt by the same name, Beat Research provided a new base for the genre-bending sets the two had been playing since throwing parties with the Toneburst Collective in the late 90s. Bridging parochial club divides, Flack and C would overlay dub and jungle, hip-hop and dubstep, dancehall and bhangra and beats from all over. After co-hosting the residency for 3+ years, in 2007 DJ C moved to Chicago while musicologist and blogger Wayne Marshall (Wayne & Wax) returned to Cambridge, bringing his big Caribbeanist ears, YouTube dragnet, and love of “musically-expressed ideas about music” to the mix.

In its 7.5 year run at the Enormous Room, Beat Research played host to some of the best and brightest DJs and producers of underground bass music in the world, gave a number of young Boston luminaries their first gig, and presented an utterly motley collection of tech-addled live PAs. The long list of special guests includes Scuba, DJ Rupture, Kingdom, edIT, Mungo’s Hi-Fi, Uproot Andy, and thereminist Pamelia Kurstin. Consistently topping local polls, Beat Research has been hard to beat for anyone seeking out extraordinary sounds early in the week, and its hosts pride themselves on offering a free weekly session for discerning dancers and enthusiastic head-nodders.

Wayne & Flack were as surprised as anyone when the Enormous Room suddenly shut down in early October, but they are thrilled to relocate the weekly festivities to the Good Life in downtown Boston beginning on November 8–and every Tuesday thereafter. Moving across the Charles seems like the right move for a night that has been putting Boston’s bounce on the map.

And we’ve got a helluva first month lined up. After DJ C on the 8th, we’ve got a trio of off-kilter beatsmiths doing live PAs: Toronto’s Doldrums will be joined by recent Boston transplants Time Wharp (via Atlanta) and Avila Santo (Los Angeles). On Nov 22, we’ve got the one and only Paul Dailey, a native Bostonian who’s been a stalwart force on the house/techno scene for decades and who can throw down a mean electro-funk set to boot (dude’s got crates). And to round out the month, on Nov 29 we’re excited to present NYC’s Atropolis, who released one of my favorite albums of the year (on Dutty Artz), and whose tracks I’ve been weaving in and out of the Beat Research mix for a minute.

December is already filling up with exciting guests, local and beyond, but that’s enough hype for now.

Real quick, tho, here are the basics; help us spread the word —

every TUESDAY at Good Life
28 Kingston St, Boston MA
9-1, 21+, FREE

And when you get a chance, do check the subtle but slick site redesign c/o Grand Webmaster Flack.

Long live Beat Research!

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September 29th, 2011

Beat Research, Humungo Edition!

Mungo's Sound
Mungo’s Sound (which will not, alas, be in attendance this Monday)

Permit me to dub the description of my partner Beat Research, the estimable Mr.Flackett

Yes the heavy heavy sounds of Mungo’s Hi Fi will be coming through BR for a special last minute stop while on tour from Scotland. The world-renowned producer is also the brains behind the venerable Scotch Bonnet record label- where modern electronic sounds collide with traditional dub reggae vibes. He has never been to Boston so lets show him what Boston is made of- We’ll be bringing some extra bass for the occasion, you bring your skanking shoes.

Speaking of “what Boston is made of” the early set (9-11pm) features %100 Boston made material in all kinds of styles and genres, courtesy of beat scholars Pacey Foster and Brian Coleman. Not just killer DJs- Pace wrote the Boston chapter of Hip-hop in America: A regional guide, and Brian, who compiled Check the Technique after years of interviewing hip-hop artists, was one of the first DJs to play undergournd hip-hop over Boston’s airwaves through groundbreaking radio shows like “School Beats” on WZBC (with the late Tim Haslett).

Should be one helluva session, folks.


Here’s the latest from Scotch Bonnet —

Mungo’s Hi Fi – Bogle 12″ by mungoshifi

As usual, the details:

Enormous Room
Central Square
567 Mass Ave

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September 9th, 2011

Upradical Research

So, suffice to say that we’re absolutely Cavendish about our guest for this Monday’s Beat Research

If you haven’t been getting down to the mixes and remixes of Uproot Andy over the last few years, we’re not sure what sort of dank hole you’re living in. From his perch in multiculti Brooklyn, Andy has been cooking up his own distinctive, irresistible takes on cumbia, dancehall, dubstep, afropop, you name it.

His savvy, crunchy touch has made him a defining presence on the “tropical bass” scene (or wot-ever we call it). Currently at work on his debut album, we’re thrilled to hear the latest stews he’s been brewing, and we’re psyched to finally get him to the Enormous Room to throw down with us.

Just in case you need a primer, here are a few faves, from badass bachat√≥n to certifiably classic remixes of Los Rakas and Amadou & Mariam —

Vete (Uproot Andy rmx) – Antony Santos by Uproot Andy

Abrazame (uproot andy mix) by Uproot Andy

Sabali (Uproot Andy RMX) by Uproot Andy

Do help us give the man a proper reception on Monday night. As usual, we’ll be rocking the room from 9-1, and it’s FREE.


August 5th, 2011

Nothin Sounds Quite Like 8/08

beat research is excited to present —


to whet —

ADONIS-DNA ( Blk.Adonis & Leliera ) by blk.adonis


July 25th, 2011

Gnawing Ledges Since 2004

Gnawledge @ BR

So stoked to be hosting such a boombumpity bash at Beat Research 2nite —

Celebrating 7 years of outernational hiphop & global bass, DJ Canyon Cody will be joined by Gnotes, Afro DZ ak, Mandeep Sethi and Brooklyn Shanti for a tropical g-funk bday celebration. Founded in the Boston summer of 2004, the Gnawledge crew will perform live music from their upcoming Bengali boombap proyecto, debut new remixes from their flamenco album Granada Doaba, and bump low-end cumbia re-edits from their monthly East Los Angeles party SUBSUELO.

Need I say more? Readers here should need no intro. Gnawledge be producing. Check the latest

Subsuelo – Global Bassment Mixtape [ft. Gnotes, El Canyonazo & DJ Ethos] by Subsuelo

Also, nuff said

which is not exactly wrong

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July 8th, 2011

El Freaky Research

This Monday at Beat Research we’ve got a midsummernight’s dream of a bill —

and how’s that for a flyer! (thx, fatsuggardaddy)

El Freaky is a renowned DJ/VJ collective hailing from Bogot√°. They’re up in these parts on part of a tour which brought them to NYC this past week for the LAMC, where, based on my Twitter feed, it sounds like they tore things up at Que Bajo ?! last night. We’re humbly thrilled, as usual, to be in such striking distance from the Big Apple that we can get a crew like this up to Boston for a night. It’s bound to be a legendary session; do please sweat it out with us if you’re around & down.

To top things off, the evening will have a proper Master of Ceremonies in one MC Zulu, the irrepressible Panamanian-by-way-of-Chicago emcee/deejay who you’ve no doubt heard riding a banging electro-soca-bashment tune or two while walking like a motherfucking champion. I can’t even tell you. We’re gonna party like it’s 1999, which, since the world’s supposed to end next year, seems just about right.

Oh, and just so you how much we care, our flyer swag is on double-time this week (thx, tim) —



June 23rd, 2011

Wayne b/w “Actual” Wax

I’m happy to announce that tonight I’ll be playing some records — yes, honest-to-goodness slabs of vinyl — alongside Tim of A Stack of Dusty Records, at an old and fave haunt: River Gods — the spot where I used to host Wicked Wicked Thursdays back in my pre-BR days and, yes, the place where Skip Gates and Sgt. Crowley had a post-WhiteHouse beer once back in the People’s Republic.

I’ll be playing two sets, an hour each, probably 9-10 and 11-12. For the first, I’ll be digging into the mid-century exotica I inherited from Seymour & Bernice, and for the second I’ll be dipping into my random assortment of reggae, hip-hip, r&b, and turntablist oddness. If you’re around, should be a fine spot to quench your thirst as well as your appetite for sonic snaps’n’crackles.

Cue exotica-inspired flyer, c/o Tim —




I'm a techno-musicologist, internet annotator, imagined community organizer.

I left my <3 in the digital global, but I reside in Cambridge, MA, where I'm from.

I represent like that.

wayne at wayneandwax dot com


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