like the moon
Today I’ve got a Q&A with Jared Demick at his site The Jivin’ Ladybug, a “Skewered Journal of the Arts” or in slightly plainer terms, “an online arts journal devoted to word-whittlers, picture-pizzazzers, & sound-slingers, all over this here globe!” Though the latter most obviously describes me, and the middle option may seem more dubious, […]
Read More →So, I know it seems like it’s been a quiet year here at W&W. It’s true that posts dropped off precipitously once things warmed up in May and I found myself outside with the kids a lot more often than at my laptop. My tweets and flicks have never really slowed — to the contrary […]
Read More →Allow me to point you over to Norient.com, where I’ve just contributed an article that attempts a brief history of perreo and other “spectacular copulative” dances, including a glance at such recent instantiations as daggering, perreo chacalonero, and of course, choque. Longtime readers know I’ve been working to develop an analysis of such practices — […]
Read More →I’m headed down to the University of Delaware tomorrow for “The African Americas Project,” a two-day symposium bringing together quite a mix of artists, musicians, and scholars to explore the connections between Latin America, the Caribbean and the US. For my part, I’ll be talking about “Reggaeton’s Afro-American Address,” by which I mean the ways […]
Read More →So, yeah. There’s rearing; and then there’s rearing — Slightly older kids, well enculturated & irrepressibly motivated, can tend to take things to the next level, bumping body parts with acrobatic abandon and lighting rooftops (and laptops) on fire — Devotees of dancehall reggae and reggaeton will no doubt recognize elements of perreo and daggering […]
Read More →Thanks to DJ Effresh for putting me on to yet another interesting instantiation of the “Lambada.” Here’s Vakero, one of the DR’s fiercest MCs, jumping on a dembow-influenced reworking of a truly perennial tune, as hashed out here, way back when — Discussing this over at my/our Buzz, Birdseed pointed out that there’s a recent […]
Read More →My Tuesday lunch talk at the Berkman Center is now available for viewing/listening/downloading/etcccc And I’m happy to report that, in fine Berkman tradition, the talk has already been blogged by some very astute observers of digital/internet culture: Jillian York offers an affirming precis here David Weinberger, author of Everything is Miscellaneous, live-blogged the talk in […]
Read More →Considering the prodigious and idiosyncratically imaginative output of Mr. Munchi, it’s seeming more and more apt to call what he’s doing something like a genre unto itself. Moombahcore? Nah, Munchiton! Just yesterday I was flipping over his Amen-breaking, dembow-dripped, synth-cackle, “Datsik – Firepower (Munchi Moombahcore Rmx).” And then this morning I find the following in […]
Read More →I don’t have as much to say about reggaeton in Mexico City as I do about hip-hop and graffiti, though it has often been an elefante in the room. Also, you don’t have to understand much Spanish to read this sort of writing on the wall — There are other kinds of reggaetony writing on […]
Read More →Munchi follows up his moombahton splurge with some flashbacks — i totally forgot to send you some tracks i worked on in late 2009 that were bubbling but influenced by dominican music. like perico ripiao, bachata or dominican dembow. i had these finished but i was working on a whole concept thing there. Munchi – […]
Read More →a moomba, apparently — no relation to afrojack, i don’t think Reggaeton doesn’t die, it just continues to fragment and reconstitute in a thousand different ways. (Sorry about the passive language there — I don’t think reggaeton has viral/memetic agency, but I still find myself using that sort of shorthand/emphasis even when what I want […]
Read More →What Happens in Riddim Method Stays in Riddim Method
I’ve written a lot here about the “riddim method,” a cheeky term suggested by my co-author Peter Manuel to describe a well-worn practice (and in the case of our article, a distinctly Jamaican version of it). We jest, but we’re serious. In short, what we try to explain is an approach to musical materials as […]
Read More →[Since we’re talking about reggaeton again, and about the absence/return of dembow, it seems like a good moment to repatriate the following riddimmeth0d post from early 2006. The post, a complement to an article on reggaeton I wrote for the Boston Phoenix, features a mix which uses the dembow drumloop to string the songs together, […]
Read More →Ok, back to reggaeton. So, once again, back to questions of vitality and vocality. Or, how it’s doing and for whom & from whence it speaks. one way of looking at the “reggaeton” “crash” (and recovery?) I was tickled to see Birdseed name reggaeton genre of the year for 2009, fully contra Gavin’s provocative post […]
Read More →I’m excited to announce, for a couple reasons, that next week PBS will begin airing the 4-part series, “Latin Music USA.” Episode 1 (Latin Jazz, Mambo) and Episode 2 (Salsa) will air on Monday, October 12; Episode 3 (Chicano Rock, Tejano, Norteño) and Episode 4 (Latin Pop, Reggaeton) will air the following Monday, October 19. […]
Read More →Gavin’s throwing darts again, and he hits a couple bullseyes — or offers some sharp prodding at any rate. The post is on par with his thoughtful and provocative ruminations on the ethics of musical tourism from almost exactly a year ago, and we can read it as something of a follow-up, a continuation not […]
Read More →If you missed me & Raquel on /Rupture’s radio show last Wednesday, you can still hear it here. Update! If the audio is no longer available at WFMU, you can stream it below, but see the link above for tracklist, etc. [audio:http://wayneandwax.com/wp/audio/muddup-radio-reggaeton-090506.mp3] Thx to all who came to the NYC book launch events! The Hunter […]
Read More →thx again, lmgm Like I try to do with most fruits of my labors, I’m liberating some recent words of mine here (shhh!), composed last week for a relatively well-consulted (by music grad students?) music “dictionary.” It’s likely that none of you will read them otherwise, not that you’d necessarily want to. (I’ve received requests […]
Read More →
I’ve already discussed and DJ-demo’d the degree to which the Dem Bow riddim underpins the lion’s share of reggaeton tracks. But one remarkable part of the story I haven’t given much focus here is how “Dem Bow” the song — in particular, the chorus melody, but also the basic theme of the lyrics — has […]
Read More →I promised to post about “raveyton” a long time ago, and twice. A recent ghettobassquake post serves as a fine reminder. Noting that reggaeton synths have been “sliding into more Trancedelic wave forms,” Sñr Vamanos acknowledges that “[d]ramatic synths have been there for a while.” Sin duda! Working in an utterly omnivorous genre, reggaeton producers […]
Read More →