+plus+

I’ve been following @emancan (aka, Emanuel Vinson, more recently recrowned as +) on Twitter for a few years now. In his early 20s, Emanuel is about as #based as it gets: persistently positive, open and encouraging, and utterly frank, especially when it comes to sources of inspiration or bullshit he needs to speak to from

Zunguzung Variations: Singer-Songwriter Edition

Here’s something primarily for longtime readers of W&W, or for random devotees to Yellowman’s timeless tune. As you all know, the melody from “Zunguzungunguzunguzeng” — aka “the Zigzagging Zunguzung meme” — has traveled widely. And I’ve been on the case ever since I first began hearing its echoes everywhere (which really started for me back

Old Money, New Fire

Old friends Old Money Massive have released the best damn rap album I’ve heard in lightyears. Obvi, we’ve been fans at W&W since “African Kids” — and I’m happy to have had a little hand in bringing Old Money to Boston a couple times. They’ve been leaking flames in the form of tracks & videos

Beat Research Turns 8 and Goes Beast Mode

It’s a little astounding that this March marks 8 years of Beat Research. In celebration, we’ve managed to line up quite a month+ of very exciting guests, from locally beloved to internationally renowned. Indeed, the next 6 sessions will feature no fewer than 3 local DJs, 3 acts from NYC, and a couple exciting visitors

¡Qué Geko!

Ok, mis local locos, tonight’s the night! We’re kicking off the Together Festival 2011 with none other than Geko Jones, Dutty Artz bredrin and co-host of Que Bajo?!, NYC’s awesomest Afro-Latin dance party (& honestly, probably the best night I’ve ever had the pleasure to play at). Do come out and welcome Geko to town

Tribal Greengo

I’m happy to announce, and not a moment too soon, that I’ve arranged some festive music for today. When I put together my first St. Patrick’s Day mix some years ago, it was an obviously tongue-in-cheek gesture. You might recall that I began with House of Pain before bringing in the romping stomp of the

Limits to Your Love, Take Two (Thousand)

Following up on recent posts, I decided to do a little looking into how many remixes of James Blake’s “Limit to Your Love” currently reside on SoundCloud. I confess that I stopped after combing through 20 pages of returns for my (somewhat sweeping) search, though SoundCloud indicated that there were another 30 pages or so!

Limits to Your Love

How many times do we need to be SoundClowned before we get wise? Back in late December, tellingly/suspiciously right in the midst of the holiday vacation lull, SoundCloud started sending out the same sort of automated take-down notices to its users that YouTube has been using for years. Mix-style DJs and remix producers found certain

Feeling the Unheard

The following text is the comment I delivered as the discussant for Steven Feld’s presentation this past Friday at Sensing the Unseen, a year-long seminar at MIT seeking “to join more familiar attention to material culture with an innovative focus on immaterial culture” in order to explore, in a variety of ways, the realm of

Shapes, Colours, African Kidz

I’m really gonna give this subject a rest soon, but let me attempt a slightly more oblique approach. One dimension of the underlying critique in Grant’s comments seeks to draw lines of value and authenticity between what he wants to position as a kind of first-order cultural production (doing/making stuff) and second-order skimming (talking about

Cumbia Worlds from Ol’ to Nu to You

a once-obscure music that enjoyed a fanatic embrace in the _______ slums of _______ has become a full-fledged global occasion – This could be the mantra of global ghettotech. Could hardly have written it better myself. But I didn’t. Nor was it written, despite what might be its commonplace connotations, about reggae, or funk carioca,

Gam and Sam

One of our guests tonight at Beat Research is Baltimore’s Sam Hopkins, aka Balagan, who promises to bring quite a (digital/digitized) crate with him. He might mix things up like — The great pic above comes from a piece Sam just published in Wax Poetics about searching for vinyl in Casablanca. Allow me to snip

Wax On! (700 Club Linkthink)

here’s looking at me Apropos of noticing, this marks the 700th post since I moved this blog to my own server, way back in October 2006 — almost exactly 4 years ago, and well before Google/Blogspot starting alienating users en-masse. That’s a lotta posts, and I want to thank all of you who read here

Kingdom Come Again

dude is dead serious We’re happy to welcome Kingdom back to Beat Research this coming Monday, Sept. 13. Readers of this blog need no intro to one of the dopest producers/DJs working the decks in the global bass scene these days. But if you haven’t checked his latest EP, That Mystic (Night Slugs), you need

The Munchiton March Continues

Considering the prodigious and idiosyncratically imaginative output of Mr. Munchi, it’s seeming more and more apt to call what he’s doing something like a genre unto itself. Moombahcore? Nah, Munchiton! Just yesterday I was flipping over his Amen-breaking, dembow-dripped, synth-cackle, “Datsik – Firepower (Munchi Moombahcore Rmx).” And then this morning I find the following in

Moar Munchiton

Munchi follows up his moombahton splurge with some flashbacks — i totally forgot to send you some tracks i worked on in late 2009 that were bubbling but influenced by dominican music. like perico ripiao, bachata or dominican dembow. i had these finished but i was working on a whole concept thing there. Munchi –

version a version (riddim meth0d repost)

[Ok, while I’m grinding on non-bloggy things, let me keep things moving here by offering up another from the riddimmeth0d vaults. I’m happy to report that I’ve since discovered more info about the origins of “Bird In Hand” here, which points out that the female singer on “Milte hi aankhein dil huwa” (from the 1950

Moombahton, Munchiton, & Related Reggaetony Ear Candy

a moomba, apparently — no relation to afrojack, i don’t think Reggaeton doesn’t die, it just continues to fragment and reconstitute in a thousand different ways. (Sorry about the passive language there — I don’t think reggaeton has viral/memetic agency, but I still find myself using that sort of shorthand/emphasis even when what I want

Listening Log #425963

A few recent projects of note landed in my inbox last week. And though I don’t have the time to really give them the write-ups they deserve (and don’t get me started on the backlog of projects I need to big-up), they each grabbed my attention — a remarkable feat in this age of info-glut

That Which Cannot Be Bought Or Sold Or Destroyed

I was excited to find in my inbox today a link to a brand new LP by one of my favorite artists from whom I hadn’t heard much in a while: the mighty Mutamassik! It’s called That Which Death Cannot Destroy and the liner notes very plainly state that it “cannot be bought or sold.”

odes to billie joe (riddim meth0d repost)

[Here’s another Riddim Method re-post, featuring a couple mashups which I made all by myself (with the help of Kazaa and Ableton). It attempts to embrace a “riddim method” approach to music blogging — to focus more on musical texts that say things about music than wordy texts. I liked the playfulness and directness, as

Panamanian Reggae Rabbit Holes

Boima’s post about a Panamanian/Nigerian jerk-off made me wonder about this Suku Castro character calling out “TODO MUNDO JERKEANDO!” So I did a quick googlywuzzit on his name and landed on this page, which not only hosts yet another interesting example of jerk practice in Panama (a mix containing no Spanish verses but cut’n’pasting several

Pop Goes the World

There’s little I can add to all the tributes and reflections gumming up the web these days, but like so many others I feel compelled to say something. Inspired even. I found Andrew Sullivan’s and Jeff Chang’s posts pretty resonant, Jason King’s too, among others, and I’ve been particularly struck by all the MJ music

Well-Tempered (& Notso) Sounds for Baby

As can be imagined, I give a lot of thought to the soundscapes my two daughters soak in, especially when so much of it is structured by me — at home, in the car, or anywhere else I can plug my iPod/Phone, whistle a tune, or bang out a rhythm. When I’m selecting a kind

One Song

Sick of that “One Love”? Try this one — [audio:http://wayneandwax.com/wp/audio/who-one.mp3]

A La Plenísima

Plena is Spanish for ‘full.’ But it has other meanings too, depending where yr @ —                      In Puerto Rico, plena refers to street music played on panderetas (see, e.g., Sorongo‘s comments here). In Panama, plena refers to reggae — homegrown reggae en español in particular. The riddim method has been alive and well in

Covers, Blurbs, y Otras Traducciones

Amazing how an Amazon link makes our book finally feel real. (Pre-orders in teh house!) And though they don’t have any imgs yet, I’m happy to report that I do, and — having lobbied HARD for this particular photo by Miguel Luciano to grace our cover — I’m thrilled to share it with y’all: On

But Siriusly, Folks…Back to Work!

You may have heard, somewhere in the background perhaps, that Muzak filed for bankruptcy. Here’s an MOR-perspective podcast about it, bordering on inanity — A better use of your time & in the pdf-blog spirit, here’s a musicological analysis, written 20 yrs ago (!) by me ol’ advisor —      >> Radano, Ronald M. 1989. “Interpreting

All Your Bass Are Belong To Us

I promised to post about “raveyton” a long time ago, and twice. A recent ghettobassquake post serves as a fine reminder. Noting that reggaeton synths have been “sliding into more Trancedelic wave forms,” Sñr Vamanos acknowledges that “[d]ramatic synths have been there for a while.” Sin duda! Working in an utterly omnivorous genre, reggaeton producers

Giving Away the Ending

It’s been a long time since I’ve shared a mix with y’all (not incl that brief bit for Blogariddims 50). No good reason for that. I’ve been DJing every Monday night at Beat Research and I’ve got as many ideas for thematic, quasi-pedagogical mixes as ever. Blame time (or lack thereof). The time it takes

House Kwasa Kwasa House

I still haven’t been able to send him those guitars, but Red Pepper has the Ruff Riddims studio up and running (and blogging!) — and it’s not like there aren’t guitars or guitarists in Botswana. Indeed, the first track I’ve heard out of the studio, “Dumelang” by Skeat (pronounced Skee-tee), is an ebullient bit of

Holidazeeee

It’s that time of year again, even if the incongruously balmy weather suggests otherwise. So, this past weekend Bec & I made another set of black cakes. This time, in anticipation, we started the fruits soaking in black-strap rum and Manischewitz a couple weeks in advance. And man, did they come out sweet. To vibe

We Be Ilvin

since fruityloopy music by multiculti youngstas has become all the rage, i figure i’m sitting on a goldmine, having run many an FL session with kids in boston and lowell, MA and, kingston, JA from 2002-04. one of my favorite students — b/c of his enthusiasm and aptitude — was a lil dude aptly named

Happy Fi Life

I’ve been playing Mavado’s “Don’t Worry” just about every week at Beat Research recently, and the other day a pretty obvious mashup occurred to me. So I couldn’t resist slapping this one together, even if it means I may not be able to show my face in Cassava Piece for a while — Mavado +

linkthink #2925: Unreconstructed Deconstructionist

CLUB VORTEX MIX MAY 2008 myspace.com:cclubvortexx.mp3 some super summer sounds c/o kkingdomm: freestyle-tinged electro-house/r&b con raveyton b/w self-made remixes!! THIS IS DRIVING MUSIC EVEN IF UR SITTING STILL (tags: DJ mix club remix hip-hop reggaeton rave mp3) 4shared – share folder – baixe malukinha pankadão a trove of eletro melody files c/o CRIADOR eder joe,

Mashachusetts

Tomorrow (Monday) night @ Beat Research, we’re happy to host Boston’s mashup maestro, DJ BC — BC’s been cooking up mashed potatoes for years now, garnering international notoriety with such concept albums as the Beastles, Glassbreaks, Wu-Orleans, and other improbable partners. Although the heyday of the mashup has seemingly passed, with the idea still ubiquitous

Thru the Ringer

Last week my phone got put through the ringer — the rinse cycle, to be precise — and it was pronounced dead on retrieval. So it goes. Today I got a new phone, about which I’m excited, but I’m sorry to say that I lost all of my contacts from the old one. It saddens

linkthink #8340: Zuper Globalized!

Zizek brings to N.Y. its infectious Buenos Aires cumbia beats carolina gonzalez hypes the zzk tour’s NYC stop :: my favorite, perplexing bit — “You don’t hear this music mix anywhere in New York,” said Héctor Arce Espasa, 25, a visual arts student and Zizek fan. “It’s super globalized.” (tags: cumbia argentina buenosaires newyork latin

Critical Distance, Por la Ventana?

¿Qué reflexiones? Tonight in San Fran, DJ /rupture — never one to let his critical eyelids slack — will be digging thru his kumbia krates alongside the Zizek gang. Yesterday, Carolina @ Sound Taste framed her excitement around the neo-cumbia thing (coming soon to NYC) by noting that her “critical distance has gone out the

Ovals for Obama in the Oval Office

A Dem primary that counts in Massachusetts? Featuring the most, yes, inspiring candidate for president I’ve ever had the hope to behold? Count me in. Count my vote. Count em up. Let’s gO! Just adding my voice to the chorus. A chorus which is increasingly musical. I’ve already pointed to some Obamaton, to that Yes

Ready for the Road (and the Remix)

With carnival jumping off in T&T over the next week — & Mardi Gras a week from today — tis the season for Trini artists to roll out the big guns: tunes so massive that they run the road once the marching begins (not to mention before and after all is danced and done). The

What Chew Know About Down in the Hole?

I’m not really a TV watcher. Really. I mean, sure, I’ve watched something like 2000 videos on YouTube over the last couple years (and I don’t think that even counts videos embedded in blogs, etc.). But I probably watch OldTube only a couple hours a week at best — like if, say, a big Bawstin

Baby New Year

It seems natural that babies are such common symbols for the renewal and growth promised by a new year, but for Becca&me a baby is an especially appropriate symbol for the new year, since this year — indeed, this month! — will bring us an actual baby of our own. I’ve been waiting to make

Refried Pasteles

in the xmas diggin spirit, /jace offers up some fine aguinaldos y villancicos // including a couple MIDI files ! // & so i couldn’t resist spending part of my xmas tuesday morning doing this — w&w, “refried pasteles” [audio:http://wayneandwax.com/music/refried-pasteles.mp3] i can imagine a number of other ways to make mashed pasteles, and it’s begging

Eat a Rum (Cake)

“Drink a Rum” = a Trini Xmas favorite. Composed by his highness Lord Kitchener, but also given various chutney soca parang upgrades, among other countless variations and personalizations. Another Trini Xmas fave, with even more personal/family/local versions — plus more broadly diffused throughout the (Anglo-)Caribbean — is the rum/fruit cake often referred to as black

ya dee ya / da da-da da

definitely feeling DJ Nate‘s waltzy juke ballad, “May Be Sum Day” — dude nem’s music industry continues unabated

Just Call Me Mr. Meme Maker

when i say that ghislain poirier is one of my favorite global ghettotechies®, i think i mean that unsardonically, but i’m not sure where that leaves us ghislain’s music, however, usually leaves me grinning if not spinning keep it blazin, g —

Sonidos Aburridos Bastardos!

If I thought something was poppin in the state of Denmark, I have no idea que pasa en Argentina. The ol’ blogosphere radar has been registering lots of blips from that southmost outpost in South America. I mentioned the Frikstailers a little while back, for instance. And of course, there’s the whole cumbia rebajada movimiento,

The People in Your Neighborhood

Something is poppin’ in the state of Denmark. Troels (of Firehouse Sound) recently hipped me(space) to Lady Smita, a Roxanne Shante song-embedding dancehall diva who makes punaany-power traxx with digital Danish producers like Maffi, uses Boba Fett for her profile pic, and starts her heroes list like so — Which made me think: the MIA

Gyp the System

Not surprisingly, Timbaland is back in the news — and in the courts — again facing charges of outsourcing the orient unauthorized sampling. This time he’s being sued, for the second time, over the use of elements from the Egyptian composition “Khosara” (most famously recorded by Abdel-Halim Hafez back in the 50s) for Jay-Z’s “Big

Dancefloor Friktion, Almost From Any Font

The Frikstailers first came to my attn via DJ Ripley and Stu FatPlanet, both of whom seemed to admire their “fidget groove” (thx, stu!). I too was instantly enamored with their glitched-up, tech-housey (blog-housey?), syncopated dance traxx. They helped me to imagine Argentina in a different way, hearing Córdoba as another outpost of the EDM

Labor Day Special: End His Career!

The NYT published a long profile on Rick Rubin yesterday. It’s a innaresting piece and Rubin’s a helluva producer, executive producer, A&R man, and new-age exec — but he’s not gonna save the music industry. DJ Nate (via s/fj), on the other hand, provides a good glimpse at the new non music industry. On his

I&I’m a African

Sorry for the silence here of late. It’s been crunchtime for fall semester, which I’m v excited about. What’s more, I thought I’d leave the “Diamonds from Sierra Leone” post up for a while in the hope of getting more feedback for me and Boima both. (Thanks to Lamin for sharing his thoughts & the

A Funny Thing Happened on the Way Back to Boston

Everything was going according to plan. We slogged through Chicago (natch), cruised through Gary and the rest of Indiana, and were hoping to roll along I-90 all the way back to the Bean. But shortly after crossing the Ohio border, our ol’ trusty Honda — so clutch over the years — no longer would shift

It’s Time for the Blog U Later

Sorry for the silence. It’s that time of spring — all mango-con-chili in the park and classes to finish up and articles & anthologies to tie together and whatnot. More soon, tho, I promise. Meantime, for an early summer bubble fix, I meem you Cajmere‘s classic Chicago house, maximinimal, proto-juke joint, which was apparently a

From Scratch to Sprinkles

A couple remixes I cooked up are now available (again) for listening and/or other forms of consumption — and in context at that! 1) Mick Sleeper continues his deeeeeep Scratch Perry podcast with an episode collecting a number of remixes of Scratch recordings, including my mashy take on “Bird in Hand,” which brings together a

Wasp a Buss the Place

Gwaan Wasp!! w/ a nice video medley by Endless — a likkle background here >> & here are a couple tracks I recorded with Wasp and his bredrin Dami D back in ’03 — wayne&wax ft. Wasp & Dami D, “Highest Grade” [audio:http://www.wayneandwax.com/music/highest-grade.mp3] wayne&wax ft. Wasp & Dami D, “A It Dat” [audio:http://www.wayneandwax.com/music/a-it-dat.mp3] (fyi, that

Keep It Movin Like the Zunguzung & Other Uprock Narratives

JC on JB Back from Seattle, which was a blast (see below). Off to Boston tomorrow. Gonna be in the Bean (and the Bridge) for a spell, presenting a revised version of the Zunguzung tale I told this past weekend, weighing in on the White Rapper Show alongside some hip-hop(-studying) ethnomusicologists, and delivering what have

Calculater, Termigrader

Given my own pet peeve around encountering holidayaganda too well before — or at all directly after — one of our days of nationally ritualized good cheer, I’m sorry to leave that last post up so long. If you’re asking, “Did you have to let it linger?,” in a light brogue falsetto, well, yes, I