Zunguzungunguzung-again

I recently added a few “new” instances of ye olde zunguzung meme to the list, each helping to tease at this knotty tapestry we’ve been weaving. First, thanks to the attentive ears of NYC-based Puerto Rican electronic act Balún, we discover that PR-based Nuyorican reggaeton pioneer Ivy Queen once wove a zunguzung allusion rather seamfully

Desperately Seeking Dembow: Wayne & Wax Poetics

I don’t know if you dear readers get tired of hearing about dembow, but I sure don’t. That said, if my boom-ch-boom-chick narratives start to seem as monotonous a march as some allege with regard to the dembow beat itself, do let me know. Well-worn paths notwithstanding, I’m happy to share this latest riff on

Cyaan Stop Won’t Stop

If raggamuffin hip-hop never gets tired for you either, I’m happy to report that yet another juicy mix of fliptongue stylistics over dusty breaks and jeepbeat bass has come to my attention — Originally cooked up in 2010 by one Matt Nelkin, and now re-upped with special edits for your DLing & DJing pleasure, “Boombap

To Make an Unforgivably Short Story Longer…

Thanks to all for passing around the raggamuffin hip-hop articles & mix. As it happens, the cosmos smiled on our cross-platform publication by arranging for a rather resonant listicle to appear at the bredrin-blog LargeUp just the next day: a Toppa Top 10 devoted to “Raggamuffin Gangster Rap“! West Coast examples of raggamuffin rap only

Raggamuffin Hip-Hop Mega-Post!

illustration by Patrick Kyle for Cluster Mag I’m very happy to share some new work that involves quite a bit of collaboration: two articles and a truly epic mega-mix devoted to the rich, ruff-and-ready sound of raggamuffin hip-hop — aka, dancehall-derived flows over breakbeat-based beats (ca. 1987-94). It’s a distinctive and special repertory, near &

Old Money, New Fire

Old friends Old Money Massive have released the best damn rap album I’ve heard in lightyears. Obvi, we’ve been fans at W&W since “African Kids” — and I’m happy to have had a little hand in bringing Old Money to Boston a couple times. They’ve been leaking flames in the form of tracks & videos

Dembow Complex

In case you missed it, I recently published a piece in RBMA mag about the history of the Dembow, a history I’ve been working to tease apart and put together for a looooong time now. If you’re not familiar with RBMA, it stands for Red Bull Music Academy. And I was pretty happy to be

Migrant Locals @ EMP NYC

Later this week, on Friday April 19 from 2-3:45pm, I will have the pleasure of hosting a panel of some dear friends & colleagues & all-around awesome folks at the EMP Pop Conference at NYC (at NYU’s Tisch School of the Arts @ 721 Broadway). An experiment of sorts, this year’s Pop Conference will take

Friday in NYC: New School to Old School

I’m happy to announce that I’m headed to the Big Apple this Friday for a couple awesome engagements. First, at midday on Friday (12:10-2:50, to be precise), I’ll be guesting in ethnomusicolleague Ben Tausig’s class at the New School this semester, MP3: A Global Perspective. Our topic on Friday will be the history of filesharing,

The Origin Story Is Genius Tho…

There’s an archived video of the panel I moderated last week during the Together fest. It begins with a six minute opening from me, then I introduce my esteemed co-panelists — Boima, Poirier, Ripley, Max, and Jesse — and we finally REALLY get into the convo about 10 minutes in. From there it’s a solid

Me @ EMP

I’ll be in NYC this weekend participating in the annual EMP pop conference, always a lively gathering of people who not only care about music but care about finding the right words to talk about music. I’m pleased to be involved in two promising panels — a roundtable with the likes of Eddie Stats, DJ

Rapping to the Beat

Funny as it may be, I’m pretty sure Run DMC’s “Roots, Rap, Reggae” (featuring Yellowman) is the first “reggae” song I ever knew. As an occasionally awkward and awfully chintzy attempt at reggae via New York, it’s an odd introduction in nuff ways. On the other hand, there are a couple moments in the song,

NY Funky

This Tuesday — TOMORROW! — we’re amped to play host to the Boston debut of Old Money Massive, a duo bleeding the edge of No/New/True Yorkness with their grimey, synth-riddled, patois-laced paeans to race, space, & place. What’s more, I’m told there might be another special guest in the house to drop some rhymes over

Atropical Base

This week at Beat Research — now every TUESDAY at Good Life in downtown Boston — we’re enthused to host none other than NYC-based Dutty bredrin (and local alumnus!), Atropolis. Hailing from / representing Queens, Atropolis co-hosts regular parties (and expeditions) as part of Cumba Mela while pumping out remixes that get to the essence

Ghe20 G0th1k Meets Hatsune Miku Uptown in Cambridge

A little more about this Monday’s special edition of Beat Research… I’m thrilled to report that Venus’s partner-in-rave, $hayne (pic’d above), will be joining her on the trip. That means we’re gonna be treated to a tag-team/4-handed Ghe20 Goth1k performance the likes of which Greater Boston has not yet been party to. So get ready,

And the Beat Goes On…

Beat Research is sad to announce that after 7.5 years of hosting our experimental party music, the Enormous Room is closing its doors. DJ Flack and I were pretty surprised when the rumors started circulating last Tuesday that this past weekend would be the club’s last, but we felt like we went out with a

Got That Spanakopita

Joining the illustrious ranks of “Pan con Queso,” here’s another hilario cross-lingual take on a contemporary club banger (apropos of this, via @carolyneweldon) —

¡Qué Geko!

Ok, mis local locos, tonight’s the night! We’re kicking off the Together Festival 2011 with none other than Geko Jones, Dutty Artz bredrin and co-host of Que Bajo?!, NYC’s awesomest Afro-Latin dance party (& honestly, probably the best night I’ve ever had the pleasure to play at). Do come out and welcome Geko to town

New Lambada New Lambada New Lambada New Lambada

Thanks to DJ Effresh for putting me on to yet another interesting instantiation of the “Lambada.” Here’s Vakero, one of the DR’s fiercest MCs, jumping on a dembow-influenced reworking of a truly perennial tune, as hashed out here, way back when — Discussing this over at my/our Buzz, Birdseed pointed out that there’s a recent

Dystropical Livity

Lamin Fofana, who recently released an excellent EP, has collaborated with Erik Marika-Rich on a video for one of the tracks, “Happy 2010 // Dark Days Are Coming.” It’s a dramatic and harrowing interpretation of Lamin’s suggestive abstractions. Bloops and bleeps offering blank spaces to be filled — Lamin Fofana, “Happy 2010 // Dark Days

Shapes, Colours, African Kidz

I’m really gonna give this subject a rest soon, but let me attempt a slightly more oblique approach. One dimension of the underlying critique in Grant’s comments seeks to draw lines of value and authenticity between what he wants to position as a kind of first-order cultural production (doing/making stuff) and second-order skimming (talking about

What Lamin Did

Last week Dutty Artz released a lovely, largely unpredictable set of 4 tracks produced by longtime blog/label staple but debuting artist, Lamin Fofana. (You can hear & buy individual tracks at Amazon and elsewhere around the web.) I wasn’t sure what to expect, never having heard any of Lamin’s productions. Sure, I’d heard mixes and

Other Sides!

I was surprised and delighted to learn last week (h/t Rizzla) that everyone’s favorite pair of singing Boricuas from Queens, Nina Sky, have released a handful of new tracks, all for free DL (long as you give them your email address, which, in this case, seems a fair exchange). Apparently, the release comes in response

Wata Gwaan?

Mil gracias a Marisol LeBron, who not only first brought to my attn the wonderful nueva-media phenom of “Watagatapitusberry,” but who has offered some interesting thoughts on its homosocial joi de vivre (check her initial round-up of home videos) and has kept up on the latest developments around the song. Most recently, the launch of

Global Hip-hop

Since I’m in a syllabus sharing mood, I figured I should finally get around to posting the one I put together in Spring 2008 for a course on “Global Hip-hop.” A series of case studies examining how hip-hop travels outside the US, what it carries with it, and how people adapt its forms to their

Loo$e Change, Tight Flick

I enjoyed this so thoroughly yesterday that I need to post it here. Thanks to Frank Roberts for the tip. Becca called this 15 minute film “pitch perfect,” and I think she’s right. Hope you dig this as much as we. Someone needs to give Mykwain Gainey the resources to produce a series or something,

Reggaeton Radio

If you missed me & Raquel on /Rupture’s radio show last Wednesday, you can still hear it here. Update! If the audio is no longer available at WFMU, you can stream it below, but see the link above for tracklist, etc. [audio:http://wayneandwax.com/wp/audio/muddup-radio-reggaeton-090506.mp3] Thx to all who came to the NYC book launch events! The Hunter

¡Que Libro! ¡Que Bajo!

Hopping the Fung Wah this pm in order to make it down to NYC/FMU in time to join Sñr /Rupture, Sñr Fofana, y mi querida compi, Raquel Rivera, on MuddUp Radio to talk (and play) reggaeton. As Jace sez — From Panamanians to Playeros to post-DemBoleros, [we]’ll be spinning rarities alongside discussion of the genre’s

Dem Bow Dem

I’ve already discussed and DJ-demo’d the degree to which the Dem Bow riddim underpins the lion’s share of reggaeton tracks. But one remarkable part of the story I haven’t given much focus here is how “Dem Bow” the song — in particular, the chorus melody, but also the basic theme of the lyrics — has

Reggaeting o Reggaetang

Speaking of the difference between hip-hop and reggaeton, there’s been a heated discussion over at Raquel’s reggaetonica, redrawing yet again the lines in the sand between the two genres and rehashing lots of tropes about Puerto Rico, blackness, hip-hop, and so on. The debate was initiated by a polemic published last fall by a god

Musee de Beau Zack

History of Hip-Hop Radio (NYC 1986-1991) / audio – GRANDGOOD wow — a mixtape combining excerpts from golden age NYC hip-hop radio — nice work! what a window into a wonderful world — (h/t noz) (tags: hip-hop NYC radio mix archive goldenage) CBRAP » A Very Fresh Way To Learn butterfly in the sky, i

The Anxiety of Influence

With a thread titled “weh unna tink bout this dancing ting inna the dancehall?????” discussants have taken up the subject of tight pants / “how mi look” fashion over at dancehallreggae.com. Me nuh really rate chatroom passa passa, so I wouldn’t have noticed, except that someone (here’s lookin at you, SELVATRON) linked to my recent

Pimp My Piragua

El Ganso Gris has a nice lil piece today (w/ video!) about Miguel Luciano‘s “Pimp My Piragua” project. I’ve talked about Miguel’s work here before. It’s stunning stuff, and I’m thrilled to report that a shot from his “Pure Plantainum” series is gonna grace the cover of our reggaeton book (due out this spring!)!

omg cholesterol

The Elephants Child: SeneRap, Rap Galsene : Hip Hop SeneGal rachel makes an interesting point about parallel discussions happening in other places on the network — "It's really fun when I find discussions in the comments on various African music sites engaging similar questions as the folks at wayneandwax.com and dutty artz." :: this needn't

Linkthink #74943: The Future Is Later

todo mundo » Blog Archive » Is that Lil Twane on the keytar? great post by kevin linking lil wayne to coltrane, miles, george duke and other techno-musical visionaries :: including the great question, "Is not Auto-Tune the wah pedal of today’s Black pop?" :: and, to boot, he inserts his video-supported commentary into recent

Doblando pa la Izquierda

I’ve been trying to get around to posting about Miti Miti, and since Geko Jones (notably, while making reference to the duo) and others have been wondering aloud again about the practice of global gobbledicrunk, while Kevin’s translating salsa songs & whatnot, today seems as good a day as any. Primero, I need to thank

linkthink #519292: Loosing My Mind [sic]

Shaggy feat Trix & Flix – Feel The Rush | The Heatwave Blog – dancehall reggae and bashment “la cumbia cienaguera” of samim’s “heater” fame (and a hit in its own right in south america for decades) gets yet another odd reanimation via shaggy and the euro 08 football cup :: and round and round

linkthink #69377: Who Wants to Bet That Obama Becomes a Far More Common First Name Than Barack?

Berkman Center pioneers steer the course of cyberspace – USATODAY.com gwaan charlie & co.! (tags: berkman harvard internet academia education activism charlie) DTLBASSTOWN.mp3 (audio/x-mpeg Object) crazed dance mix by dropthelime, as played recently @ basstown (tags: DJ mix mp3 house techno club remix boston) Energy Flash | Gas (director’s cut) simon reynolds on gas (wolfgang

linkthink #04676: ATCQ Has a Posse

The Cosmopolatino Map consuming cosmopolitanism en español en NYC (tags: cosmopolitanism newyork latinidad class) NYMosaico :: Profile Manager :: calabashmusic.com “Cosmopolatinos are young, urban, and bilingual, and are fusing aspects of Latin America with other global trends to create a unique cultural space in New York and other cities.” :: ocio cosmopolatino, eh? (tags: cosmopolitanism

MixxThink #5736: Yip Yip Yip, Uh-huh Uh-huh

muzikmix.mp3 (audio/mpeg Object) :: http://www.myspace.com/deejayrasputin “a new 45 min DJ Rasputin mixset with the latest selection of trubaci, chalga, albanian pop, türkish rhythms and gypsy frenzy!” (via blentwell) (tags: mix turkey albania gypsy balkan europea) dj_nron_the_collaborator.mp3 (audio/mpeg Object) new mix from comrade n-ron: wide-ranging electro bizniz (tags: mix hip-hop dubstep electro electronic orientalism) videyoga ::

linkthink #8340: Zuper Globalized!

Zizek brings to N.Y. its infectious Buenos Aires cumbia beats carolina gonzalez hypes the zzk tour’s NYC stop :: my favorite, perplexing bit — “You don’t hear this music mix anywhere in New York,” said Héctor Arce Espasa, 25, a visual arts student and Zizek fan. “It’s super globalized.” (tags: cumbia argentina buenosaires newyork latin

linkthink #1924: Sonidero Hero

Under the Musical Spell of the Sonidero; Mexican D.J.’s Relay Messages, on Dance Floor and to the Homeland – New York Times on the NYC-mexico sonidero circuit — cumbia shoutouts as greeting cards ! (tags: nyt newyork mexico cumbia soundsystem sonidero transnationalism latinamerica) From VOICES: The Sonideros of Mexican Youth Dances abstract & photos of

linkthink #35663: Mega, Man

The “Amen Break” and Golden Proportion hmmm. this is clever and fun, but it’s also a classic example of analysis with no regard for cultural value or use. it makes no sense to consider the amen break as a whole, since most simply sample a measure (or less). it’s the timbre that’s golden. (tags: breaks

linkthink #9423: Off the Rock

The Wire’s War on the Drug War — TIME “If asked to serve on a jury deliberating a violation of state or federal drug laws, we will vote to acquit, regardless of the evidence presented. … No longer can we collaborate with a government that uses nonviolent drug offenses to fill prisons…” (tags: tv thewire

Follow Me Now: The Zigzagging Zunguzung Meme

The text below was written in spring 2007 and delivered at EMP and IASPM. Since its initial publication, I have learned of many additional instances of the “zunguzung” meme, often thanks to readers. I will continue to update the tally at the end of the post, and searching “zunguzung” on this site will lead to

Loop the loop, loop the loop the loop

Gotta love distributed research technics — Thx to Mark Calaguas for a few more notches in the Zunguzung tree, including a slippery interpolation by Ninja Man on “Funeral Again.” And, get this, two uses by Nice & Smooth — in the same way, and on CONSECUTIVE TRACKS (?!) on the same album: “Nice & Smooth”

Dear Wayne #8353: JA inna US & UK

While we’re in a outsourcing mood here at w&w, allow we to offer up another recent q&a — Dear Wayne, Hope you’re well, This is a follow-up to an email that I sent last week regarding me possibly conducting an interview in the near future regarding the role of Jamaican styles in US and UK