See, Saw, Seen

The Best Recordings of 2008: Sasha Frere-Jones: Online Only: The New Yorker i <3 SFJ for sentences like this — "The song is rooted in the jiggling rhythms of James Brown, the motherlode for sampling producers from the eighties, and now entirely irrelevant to any rap being made in New York, Atlanta, Rio, or Miami." […]

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