Just Call Me Mr. Meme Maker

when i say that ghislain poirier is one of my favorite global ghettotechies®, i think i mean that unsardonically, but i’m not sure where that leaves us ghislain’s music, however, usually leaves me grinning if not spinning keep it blazin, g —

Global Ghettotech vs. Indie Rock: The Contempo Cartography of Hip

“Hipster hedonism takes many forms,” wrote Ned Polsky in reply to Norman Mailer’s hipster manifesto of 1957. “Some hipster groups,” Polsky continued, “have everything to do with motorcycles, whereas others have nothing to do with them.” Similarly, but more in the abstract, in his genealogy of the hipster, “Hip and the Long Front of Color”

Simon Says: I’m a Hipster?

Dang. I think Simon just referred to my blog as “hipster chatter.” Them’s fightin words, Reynolds. I mean, I’m sayin, I only own one belt and maybe 3 pairs of sneakers, tops. For serious tho, I’m very curious to know what constitutes hipsterism — for Simon and for others — at this moment in time.

Illadelph Dispatch: More w/r/t “Whiteness”

Been enjoying the ASA conference in Philly for the last few days. Our panel on Thursday went pretty well, I think. We actually seemed to have some coherence across our papers and although we had a rather compromised a/v situation (holding a Shure 58 to laptop speakers don’t really cut it in a ballroom), I

Sonidos Aburridos Bastardos!

If I thought something was poppin in the state of Denmark, I have no idea que pasa en Argentina. The ol’ blogosphere radar has been registering lots of blips from that southmost outpost in South America. I mentioned the Frikstailers a little while back, for instance. And of course, there’s the whole cumbia rebajada movimiento,

& It Don’t Stop…

Even in the middle (or, at this point, toward the end) of some well-needed Beach Research, I’m happy to note that several dear interlocutors have been continuing the conversations here — and taking them in interesting directions. E.g., Raquel Rivera weighs in on “No Te Veo” herself, making reference to the vivrant discussion about it

The Webnography of Reggaeton Faultlines

As I’ve mentioned before, I’ve gleaned lots of what I know ’bout the narratives swirling ’round reggaeton via the web, especially via the messageboard debates that flare up into all sorts of contested, conflicting accounts and claims. In that sense, I’ve maybe learned less about reggaeton’s history this way, per se, than about how people

Whirl-a-whirls

Two other entities in the (other)worldly spirit I was speakin of — and I mean that in a good way — would seem to merit some shine on em, ‘specially since one’s got a new mix up & out :: London’s Heatwave crew bring the picante to the blogaparty, lacing together Spanish rap y reggae

Nu Whirl Music, Blogged in Translation?

In a recent issue of the SEM Newsletter (March 2007, to be precise), Phil Bohlman addressed the issue of cultural translation and how it presents a paradox to ethnomusicologists — or perhaps more broadly, to those of us who mediate musical representations in myriad ways (including via links and mp3s): Should we understand our acts

Blogariddims Orgy!

Those of you familiar with WHRB, Hahvid’s student-run radio station, will no doubt be familiar with its semester-end “orgy” ritual: as students go back (or begin) to read up on a term’s worth of material for their exams and papers, the radio station broadcasts marathon sessions devoted “to a single composer, performer, genre, or subject.”

Mainly, To Amuse Itself

I know what you’re thinking — el fin de Delfin? No puede ser! But it’s been about a month and a half since the Chilean jokesters who made Delfin both a YouTubospheric laughingstock and legend — not to mention the undisputed king of tecno folklore — finally hung up their bloggy hats. As they write,

Calculater, Termigrader

Given my own pet peeve around encountering holidayaganda too well before — or at all directly after — one of our days of nationally ritualized good cheer, I’m sorry to leave that last post up so long. If you’re asking, “Did you have to let it linger?,” in a light brogue falsetto, well, yes, I

Upside-Down International Sound

As I mentioned in the last post, I’m headed to London this week (tomorrow today actually!) to participate in a Caribbean music seminar at Royal Holloway College. I’m honored to have been invited to join in the proceedings, and I’m quite looking forward to the various papers, the broader conversation, and the feedback I hope

Linkthink #6573: AyAyAy Edition

/jace: I enjoy watching the notion of a mainstream dissolve into a trillion scattered data-bites. me: ME TOO! e.g., “enta omry = your my life ragaooney 3nak = give me back your eyes leh ayam elley raho = to the days we had and so on and so on… it would take forever to translate.

La Musica Negra (Hispana?)

Having read no small # of reggaeton messageboard debates (esp over ?s of nat’l origin), I’ve developed a decent sense, I’d like to think, of when someone hits a good # of signposts. The following gem is quite solid in that respect — myths, misspellings, elisions and omissions, grammatical and historical slippage notwithstanding. Econowhimsical prose,

Brave You World

Now don’t get me wrong. I don’t mean to sound like Time fckn Magazine or appear too technoptimistic. Indeed, allow me to repeat here — for those who aren’t comment readers — /jace‘s well-put and well-taken anxieties w/r/t web2point0h: i think most of web2.0 activities is lil autonomous nodes — blogs, youtube uploaders & viewers,

In My Language (& Mine Too)

I asked for more arguments like this one — which is to say, compelling, self-produced video theses — and I think that A.M. Baggs’s “In My Lanuguage” most definitely qualifies. The pull quote: Far from being purposeless, the way that I move is an ongoing response to what is going around me. Ironically, the way

HyperText

Saw this @ SavageMinds before it turned up ‘pon BoingBoing, but I was glad it appeared @ the latter too b/c I think it should be seen widely: not only is it interesting and inspiring, it’s cool and well-executed (& I’m pretty sure the music was made on friggin FruityLoops!). It might be hyperbolic, it

Riddim Method Mixxage

A pair of GINORMOUS genre-busting mixes recently wiggled their way into the e-ther c/o two of my fave Riddim Methodists: 1) DJ Flack offers the latest in the still-stellar Blogariddims series. And “Beyond the Valley of the Smurfs” is srsly on some next next. Flack’s been digitizing his laaaaarge vinyl collection in an attempt to

Copy, Right?

The following is a note I sent to the SEM list in response to a thread that started with this seemingly simple query (if not so easily answered). I felt the need to add my two cents after reading this post. I’ve added a couple more links, including one to a pdf version of the

Linkthink #4083: AfroCaribEdition

Solo Plena: a frequently updated Panamanian “plena” blog (that means reggae there, y’know), showing that Panama’s reggae scene, as reinvigorated and reshaped as it may have been by the reggaeton explosion, continues apace. &nuff Pma plena pon YouTube too, classic a nuevo here’s El General doing his best Don Dada — and Aldo Ranks puttin

LatinAmerican YouTubosphere on Lock

Sin duda, William Hung ain’t got nothin’ on Ecuador’s latest YouTuboSensación — Delfin Quishpe. I learned of Delfin via an Ecuadorian blogger named Jaime, who after seeing my own post (or two) on the subject, pointed me to a piece he had himself written recently about the ol’ Perreo Chacalonero. Here’s how Jaime put me

Smackademics

Much as I like to bellyache bout the NYT, you gotta love it when they let pomo philosophers pen op-eds about politricks. And even if (sadly — for all of us, not just him) Zizek’s mostly remixing his ol’ desert of the real spiel, I was totally tickled to see him — in so many

Another Crunk Genealogy

Considering what a solid series it’s been so far, I’m quite proud to present — Blogariddims ¡Blogaritmos! 11: “Another Crunk Genealogy” crunkyclave / dembowsalsa / raggyton / bhangrabounce subscribe to series | download mp3 (60:54 | 83.6mb) Of course, given the all-around excellence of the contributions to date, never mind the massive mix Heatwave dropped

Routes & Culture

Ok, so obviously I’m not up to the task of live-blogging the conferences I attend, esp when the hosting hotel wants to charge an extra $14/day for internet access. (Amenities, schmenities.) Will offer some Hawaiian highlights before they get filed away like the dogeared program they’re scrawled on, but just so you don’t miss it,

Feather in My Blog

As noted elsewhere, this here humble blogger has been bestowed a spot in the 2006 edition of the illustrious Da Capo Best Music Writing series. What’s more, it’s one of my blog-posts — as opposed to a more traditionally “published” piece — which has earned itself the distinction. Of course, the post in question is

Run Riddim!

We steady tryna “step” our “game” “up” o’er at Riddim Method. To wit: Some innaresting texty and mixty contributions c/o DJ Ripley. /// DJ C’s B-series continues with “Bush” — to which, I might add — in spirit, since I don’t deign to mention Señor Shrub (it’s bigger’n him anyhow) — my own “America,” which

Home Again

Feels good to be “back” “home.” As some of you may know, I’ve been here @ wayneandwax.com for a long time, longer than the blog(s), and it’s served me well as a place to share my music and research with the world. But not as well as the blog. Indeed, the blog has long been