like the moon
the duke, surrounded by “african flowers” — google img search, 1 sept 2010 I was really thrilled with the reception of my “Galangs” mashup last week. To see the video get passed along by the likes of the Village Voice, NY Mag, & NPR, and especially to get this sort of response from SFJ, was […]
Read More →When I was in Mexico recently, I gave a lecture-demo on how one might express ideas about music through music. (Readers of this blog will be familiar with these approaches, especially via my excursions in riddim meth0dism.) Although I want to keep the concept as open as possible, believing there are myriad ways to do […]
Read More →As some readers of both this blog and The Wire might have noticed, I’ve started to contribute now and then to their reviews section. As per my usual practice, I’ll be reprinting the reviews here on the blog, once they’ve enjoyed their print run, usually offering something of a “director’s cut” (more words! glorious words!), […]
Read More →Considering the prodigious and idiosyncratically imaginative output of Mr. Munchi, it’s seeming more and more apt to call what he’s doing something like a genre unto itself. Moombahcore? Nah, Munchiton! Just yesterday I was flipping over his Amen-breaking, dembow-dripped, synth-cackle, “Datsik – Firepower (Munchi Moombahcore Rmx).” And then this morning I find the following in […]
Read More →Ok, back to reggaeton. So, once again, back to questions of vitality and vocality. Or, how it’s doing and for whom & from whence it speaks. one way of looking at the “reggaeton” “crash” (and recovery?) I was tickled to see Birdseed name reggaeton genre of the year for 2009, fully contra Gavin’s provocative post […]
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