like the moon
Pictured above is a shot of Filiberto Ojeda Uptowns / Machetero Air Force Ones by visual artist Miguel Luciano, as featured in a show opening this Sunday, April 15, at Bard College. I’ve been an admirer of Luciano’s arresting approach since Raquel Rivera (who brought this latest project to my attn) sent me a digital […]
Read More →Went for an afternoon trip up to Devon Ave’s “Desi corridor” yesterday accompanied by an anthropologist who studies the circulation of pirated media in India (mainly Bollywood/Filmi), and who was, as you can imagine, a perfect companion for a brief tour of the strip’s numerous “record” shops (which sold CDs, DVDs, videocassettes, and even plain […]
Read More →Having read no small # of reggaeton messageboard debates (esp over ?s of nat’l origin), I’ve developed a decent sense, I’d like to think, of when someone hits a good # of signposts. The following gem is quite solid in that respect — myths, misspellings, elisions and omissions, grammatical and historical slippage notwithstanding. Econowhimsical prose, […]
Read More →Solo Plena: a frequently updated Panamanian “plena” blog (that means reggae there, y’know), showing that Panama’s reggae scene, as reinvigorated and reshaped as it may have been by the reggaeton explosion, continues apace. &nuff Pma plena pon YouTube too, classic a nuevo here’s El General doing his best Don Dada — and Aldo Ranks puttin […]
Read More →Talk about too much music. Was readying a post on all the pods I cast (or subscribe to, that is), but then I get pointed to a Soca 2k7 playlist on some mysite called imeem — The soca 2k7 are verrrrrry r and b. I thought it would be interesting for your work. The soca […]
Read More →Got a brief review of Pitbull’s El Mariel in this week’s Phoenix. As it happens, I also have a quotation in another, longer review by Jose Davila for the Miami New Times, also published this week. In short, I like the album, esp any tracks propelled by Mr.Collipark’s ATLien Afro-Cubist crunkstep, and i admire Pitbull’s […]
Read More →Considering what a solid series it’s been so far, I’m quite proud to present — Blogariddims ¡Blogaritmos! 11: “Another Crunk Genealogy” crunkyclave / dembowsalsa / raggyton / bhangrabounce subscribe to series | download mp3 (60:54 | 83.6mb) Of course, given the all-around excellence of the contributions to date, never mind the massive mix Heatwave dropped […]
Read More →Last week there was a message posted to the dancecult list, which, in the process of recommending a couple of Nate Harrison’s fine videos, asserted, not uncommonly, that the Amen break was “the most sampled rhythm ever, the very foundation of most rap, techno and jungle.” Now, undoubtedly the Amen break is one of the […]
Read More →Some linkythinky things: Peter Scholtes just wrote an extensive piece on reggaeton for City Pages. Rather than simply rehearsing the well-worn narrative, Peter brings in the voices and stories of performers and enthusiasts in the Minneapolis/St.Paul reggaeton scene, giving new texture to a story whose contours have become all too familiar. He includes a large […]
Read More →As noted elsewhere, this here humble blogger has been bestowed a spot in the 2006 edition of the illustrious Da Capo Best Music Writing series. What’s more, it’s one of my blog-posts — as opposed to a more traditionally “published” piece — which has earned itself the distinction. Of course, the post in question is […]
Read More →Given that it pays homage, follows a venerable reggae tradition (see, e.g., the rankses, the bantons, the demuses, the cats), makes a pop culture pun, and invokes a myth of national origins, I gotta admit — Tainy Tunes is a fantastic name for an up-and-coming reggaeton producer. Kid’s only 17, so we’re not gonna judge […]
Read More →That review of the new Tego album in the Phoenix that I’ve been telling y’all about has finally seen the light of day. You can find it in the digital fishwrap here, but I’m going to go with my standard practice of reprinting the original on this humble blog since inevitably a word or two […]
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