November 21st, 2008

Skin Care Adventure

  • Mark Anthony Neal — 'Never before has a First Lady's body been subject to the amount of scrutiny and surveillance as is the case with Michelle Obama; she has been rhetorically poked, prodded and groped. Many would have found such a line of coverage unfathomable and even offensive if applied to women like Nancy Reagan, Barbara Bush, or Roselyn Carter, as was rightfully the case with depictions of Sarah Palin as the Vice-Presidential "MILF." … Underlying this notion of "realness" that Michelle Obama embodies are notions of accessibility and availability. If there is anything that the history of black women in this country should teach us, is that the idea that black women's bodies were accessible and available to any–and all–concretely frames our understandings of black women's histories whether it be the spectacle of the "Hottentot Venus" (Saartjie Baartman), the tragedy of Crystal Mangum or the nameless and faceless victims of sexual violence and rape.'
  • this happened — 'The largest of these exhibits [at the 1904 St.Louis World's Fair] was the Philippine village, a 47-acre site that for seven months in 1904 became home to more than 1,000 Filipinos from at least 10 different ethnic groups. The biggest crowd-drawers were the so-called primitive tribes — especially the Igorots, whose appeal lay in their custom of eating dog.'
  • "NYAHBINGHY ORDER IS THE ORDER OF THE DAY RAS TAFARI IS LIFE REGGAY IS DEATH" :: bobo dreads explain why reggae is too enmeshed in babylon / "the world" for true/turbaned rastas to participate :: some thoughts about reggae — "satan music that" "reggae more bring crime and violence" "music is food for the soul, but which music … man say you have a right music and a wrong music" "reggae promote sex and oralism" "it water down and a turn streggae" "it's distracting to the nation … it elevate the rest of the nation, the indians, the chinese" "death music" "reggae is satanism" "it nuh teach no one nothing" "reggae could only provide the material thing" "bun reggae"
  • interesting reasoning about 'interesting reasoning about reggae by bobo ashanti' — including some discussion of racism in partic rastafari mansions :: plus, this interesting bit at the end — 'As is pointed out in the comments of the Bobo interviewed at Bull Bay, even if you are a very true and good Rastafarian, and your lyrics are very true and spiritual, if you are involved in the Reggae industry you will have to compromise your livity at some point. … That doesn't mean that for many of us the Roots/Rastafarian side of the music isn't an inspiration and a positive thing in our lives still. Just have to be honest about it, coz even then, of course it is not a pure thing untainted by "Babylon".'
  • radiolab is back, with an episode on choice :: can't wait to listen, but i can't decide when/where would be best (thx again, forestfruits)
  • on the use of music as torture by the US military — and more banally by the author & his mom (h/t forestfruits)
  • fascinating profile of a fascinating thinker re: culture & ownership, gifts and value (thx, dominic) :: (non)money quote — 'The literature on gift exchange — tales, for example, of South Sea tribesman circulating shells and necklaces in a slow-moving, broad circle around the Trobriand Islands — gave him the conceptual tool he needed to understand his predicament, which was, he came to believe, the predicament of all artists living “in an age whose values are market values and whose commerce consists almost exclusively in the purchase and sale of commodities.” For centuries people have been speaking of talent and inspiration as gifts; Hyde’s basic argument was that this language must extend to the products of talent and inspiration too. Unlike a commodity, whose value begins to decline the moment it changes hands, an artwork gains in value from the act of being circulated—published, shown, written about, passed from generation to generation — from being, at its core, an offering.'

videyoga ::

Wayne&Wax

I'm a techno-musicologist, internet annotator, imagined community organizer.

I left my <3 in the digital global, but I reside in Cambridge, MA, where I'm from.

I represent like that.

wayne at wayneandwax dot com

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