Archive for April, 2010

April 3rd, 2010

Fight the Sour

now i know my CBCs

It’s a gorgeous day in Cambridge. The first day (that I’ve been here anyway — think I missed a couple while in Austin) that you want to wear a t-shirt outside, spend all day outside, cook meat outside, drink delicious beers outside, and listen to music like this —

      >>>> melonhands, fatmix

        

Between my own desire to share this charming mix, curated with care by Melonhands, and with recommendations (to dead links!) from Hua and requests from afar (incl amigos from Rio!), the sunny springy vibes were enough to compel a lil affective labor, extracting these notorious mixes from ye olde iPod. The following mix is my best guess at the actual infringer; just to test the bots a little, I’m pasting an img of the tracklist instead of the actual text.

      >>>> melonhands, i need dubs

       
       

Enjoy!

6 comments

April 1st, 2010

The Sound of Skinny Jeans

Tomorrow I’ll be joining the fine folks from the Music and Sound Studies Colloquium Series at the University of Minnesota to talk about the synaesthetic publics addressing each other via skinny jeans, electronic dance beats, and wonky shuffle steps. I’m pasting the title and abstract below. As you can see, I’m flogging some familiar, but hardly dead, horses: social media practices and aesthetics, public spheres in a networked age, and platform politricks (and, yes, I still have a mega-blogpost in the pipeline that examines the latter in some detail), especially as illuminated by youthful YouTubey dance exchanges. The event is open to the public, so if you’re in the Twin Cities and want to join us, click here for deets —

The Sound of Skinny Jeans: New Media, Networked Publics, and Affective Labor

In recent years, the rise of so-called social media has been propelled rather remarkably by the music-centered affective labor of young people. Using corporate hosted social-networking platforms like MySpace, YouTube, imeem, and Fotolog, teenagers in such far-flung cities as Buenos Aires, Los Angeles, Paris, and Melbourne have shared photos, music, text, and video (especially of dance) with their local and networked peers and, inevitably, with the wider world. In the process, these everyday acts of publication and recirculation, enabled by the radical reconfigurability of digital artifacts, have facilitated the emergence of vibrant, youthful counterpublics. The conspicuous presence of day-glo colors and skinny jeans across these disparate if loosely connected scenes offers a synaesthetic way to hear how sound and image intermingle in the brave new worlds of network culture.

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Wayne&Wax

I'm a techno-musicologist, internet annotator, imagined community organizer.

I left my <3 in the digital global, but I reside in Cambridge, MA, where I'm from.

I represent like that.

wayne at wayneandwax dot com

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